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SANDRA SIDER, editor of Art Quilt Quarterly, Curator for the Texas Quilt Museum, and a New York contemporary quilt artist specializing in cyanotype and other photographic processes since 1980. In “Art Work” you will find my studio quilts in public collections as well as quilts currently available for purchase and exhibition. (All my art work is created in a non-smoking, pet-free environment.)
http://www.sandrasider.com/publications.php
Signing copies of Exploring Your Artistic Voice in Contemporary Quilt Art at Visions Art Museum, January 2020. For nearly forty years I have written about crafts and fiber art, especially quilt art, for Fiberarts Magazine and other journals. My essays on contemporary studio quilts have been published in various exhibition catalogues, such as Jean Ray Laury: A Life by Design (2006), and (with ...
https://www.saqa.com/art/juried-artists/sandra-sider
In this 3-part video series, Sandra Sider provides three different artists with helpful insight about their artwork. Participants included Lorna Morck, Carolina Oneto, and Arja Speelman.
https://www.saqa.com/critique-series-sandra-sider
Sandra Sider, a New York studio quilt artist working in photographic processes since the 1980s, has led critique workshops for SAQA since 2005. She holds an M.A. in art history from the Institute of Fine Arts, New York University, and taught art history and material culture at the college level from 2004 to 2014.
https://www.amazon.com/Studio-Quilt-no-State-Art/dp/1463789467
Dr. Sandra Sider's sixth book in her Studio Quilt series deviates from the previous five that were an indepth look at an individual studio quilter. This book reveals the work of 60 textile artists from around the world. The Introduction contains the bulk of the text in this book.4/5(1)
https://www.amazon.com/Exploring-Artistic-Voice-Contemporary-Quilt/dp/0764358871
Renowned quilt artist Sandra Sider acts as a companion along the path to discovering your voice, and offers photos of dozens of her own quilt design successes and failures as examples to learn from. Even blind alleys, detours, and the road not taken can lead to developing one’s voice as a quilt artist—indeed, as any sort of creative maker.4.5/5(10)
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