Interested in Santeros Artists? On this page, we have collected links for you, where you will receive the most necessary information about Santeros Artists.
http://www.potrerotradingpost.com/SanteroArt.html
Santero Art-- Santeros (Saint makers) paint or carve images of saints.The retablo is a painting on a flat wooden panel while bulto refers to a three-dimensional carving of a saint. In the 1700’s, the tradition of the santero began to emerge in the small villages of Northern New Mexico and Southern Colorado.
https://remezcla.com/lists/music/10-santeria-artists-list/
The religious presence can feel subtle, as many of the artists on the list below take traditional Cuban batá rhythms into new territory altogether. Coupled with electrobeats, sprawling jazz ...
http://via.library.depaul.edu/cgi/viewcontent.cgi?article=1002&context=museum-publications
Via Sapientiae. DePaul Art Museum Publications Academic Affairs. 2008. Santeros: A Living Tradition in American Art from the Southwest. Louise Lincoln. Chuck Rosenak. Thomas J. Steele. Follow this and additional works at: https://via.library.depaul.edu/museum-publications. Part of the Art …
https://www.crisismagazine.com/2005/the-folksy-majesty-of-santero-art
Nov 01, 2005 · He was called the Santo Nino Santero because he did many images of the Holy Child. One of the finest folk artists in New Mexico, he has recently been identified as Jose Manuel Benavides, a sculptor who worked closely with another outstanding santero called Jose Rafael Aragon. Both lived in Santa Cruz de la Canada near Santa Fe.
https://lauramorelli.com/new-mexican-santos/
Santeros connected the arms and legs of free-standing bultos with wooden dowels. Today, a handful of excellent santeros across New Mexico still make santos in traditional ways. The craft lies in the hands of a few families who have ensured that the historical techniques and the spirit of the tradition are passed to the next generation.
https://www.newmexico.org/nmmagazine/articles/post/vicente-telles/
ON THE SECOND FLOOR of a 110-year-old building in downtown Albuquerque, Vicente Telles sits in a group of contemporary art studios, his surroundings a physical metaphor for the worlds that define him: old and new, traditional and contemporary, devoted santero one day, edgy iconoclast the next. There, above Brixens restaurant and bar, at Fourth Street and Central Avenue, he walks across a paint …
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