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https://www.metmuseum.org/toah/hd/tapb/hd_tapb.htm
The Gobelins and Beauvais workshops exploited this shift with decorative designs by artists such as Claude Audran III (1658–1734), Charles Antoine Coypel (1694–1752), and Jean-Baptiste Monnoyer (1636–1699) . This style also benefited smaller workshops like those in London and Berlin because decorative motifs were easier, and thus cheaper, to produce than complex illusionistic designs.
https://www.oxfordbibliographies.com/view/document/obo-9780195399301/obo-9780195399301-0358.xml
Jun 27, 2017 · Introduction Ever since Georgio Vasari’s Lives of the Artists (1550, revised and enlarged 1568), the study of Renaissance art has been inextricably tied to the concept of patronage. The slow economic rebirth of Italy in the fifty years following the devastation of the 1348 plague resulted in a population shift from countryside to commune.
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"Patronage of the Arts and the Enlightenment’s Influence" Please respond to the following, using sources under the Explore heading as the basis of your response: Describe the shift in artistic patronage that developed in the 1600s, and identify key factors that signified the diminishing power of the church. Give one (1) example of an artist and his / her artwork or a ...
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