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https://www.upress.umn.edu/book-division/books/the-absolute-artist
The Absolute Artist makes an important, if sometimes unsettling, contribution to the expanding field of art historiography. As Soussloff makes clear, art historiography cannot proceed until the political, economic, and philosophical origins of the discipline have been acknowledged and analyzed. We may hope that the appearance of The Absolute Artist marks the beginning of an overdue inquiry into art …
https://www.amazon.com/Absolute-Artist-Historiography-Catherine-Soussloff/dp/0816628971
Catherine M. Soussloff (Author) This is the first book to analyze the artist's biography as a rhetorical form and literary genre rather than as an unassailable source of …Cited by: 3
https://www.goodreads.com/book/show/1825890.Absolute_Artist
Jan 01, 1997 · In The Absolute Artist, Catherine M. Soussloff challenges this view in an engaging consideration of the social construction of the artist from the fifteenth century to the present. Traditional art history has held that the concept of the artist-genius arose in the Enlightenment.3.8/5(9)
https://muse.jhu.edu/book/31469
In The Absolute Artist, Catherine M. Soussloff challenges this view in an engaging consideration of the social construction of the artist from the fifteenth century to the present. Traditional art history has held that the concept of the artist-genius arose in the Enlightenment.Cited by: 3
https://www.jstor.org/stable/10.5749/j.ctttt2fz
Iconoclastic, temperamental, and free from the constraints of society, the towering figures of the artist-genius have been treated as fixed icons regardless of historical context or individual situation. Challenging this view, Catherine M. Soussloff considers the social construction of the artist from the fifteenth century to the present.
https://www.bookdepository.com/Absolute-Artist-Catherine-M-Soussloff/9780816628971
Jun 01, 1997 · Paperback. English. By (author) Catherine M. Soussloff. Share. The myth of the artist-genius has long had a unique hold on the imagination of western culture. Iconoclastic, temperamental, and free from the constraints of society, these towering figures have been treated as fixed icons regardless of historical context or individual situation. In this text, Catherine M. Soussloff challenges this view in a consideration of the social construction of the artist …
http://www.fredmartin.net/Essays/Brief-Essay-2006-08-The-Absolute-Artist.htm
Soussloff: (p121) “Rank explicitly equates the artist-actor with the [priest turned into] physician-analyst…In the conclusion to the book on the artist, Rank compares the artist to Moses ‘founder of religion’: ‘But as the ‘founder of religion was overcome, so the artist must be overcome also, he must become the physician; the creative ones become healing-artists, and the recipients become neurotics; …
https://ahva.ubc.ca/persons/catherine-soussloff/
Sep 07, 2020 · Catherine M. Soussloff’s research explores the historiography, theory, and philosophy of art and visual culture in the European tradition from the Early Modern period (ca. 1400) to the present. She has authored and edited books and written over fifty essays and articles in art history and in a wide range of related fields, including performance studies, aesthetics, Jewish studies, the history of …
https://www.thefreelibrary.com/The+Absolute+Artist%3a+The+Historiography+of+a+Concept.-a019677896
Jun 22, 1997 · Soussloff's book is driven by subversive ambitions. The "discourse of the artist," however, is a subgenre of the discourse of the hero. Anecdotes abound in the biographies of athletes, soldiers, scientists, philosophers, chefs, couturiers, politicians, our own morns and pops.
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