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Diego Velázquez - Paintings, Death & Facts - Biography

    https://www.biography.com/artist/diego-velazquez
    Apr 02, 2014 · Spanish painter Diego Velázquez was born circa June 6, 1599, in Seville, Spain. Although his early paintings were religious-themed, he became renowned for …

Spanish Painters: Diego Velázquez (1599-1660)

    https://www.spanish-art.org/spanish-painting-velazquez.html
    Diego Velázquez was one of the most famous Spanish painters of the Golden Age, whose repertoire consisted in paintings of the Spanish Royal family and religious scenes. His paintings from the contemporary Baroque period, exhibit both the Impressionist and Realist genres of art. Some of his greatest paintings include 'Cristo Crucifado' (1632), the portrait of Pope Innocent X (1650) and ' Las …

Diego Velazquez Paintings, Bio, Ideas TheArtStory

    https://www.theartstory.org/artist/velazquez-diego/
    Diego Rodriguez de Silva y Velazquez was the first of six children born to Juan Rodriguez and Jeronima Velazquez in Seville, Spain. He received fine training in …Nationality: Spanish

Diego Velázquez - Artvee

    https://artvee.com/artist/diego-velazquez/
    Don Gaspar de Guzmán (1587–1645), Count-Duke of Olivares (ca. 1636) Diego Velázquez (Spanish, 1599-1660) Figurative. Favourite Collect.

Diego Velazquez - 132 artworks - painting

    https://www.wikiart.org/en/diego-velazquez
    Diego Rodríguez de Silva y Velázquez (Spanish: [ˈdjeɣo roˈðɾiɣeθ ðe ˈsilβa i βeˈlaθkeθ]; baptized on June 6, 1599 – August 6, 1660) was a Spanish painter, the leading artist in the court of King Philip IV, and one of the most important painters of the Spanish Golden Age.Birth place: Seville, Spain

Spanish Masterworks: Diego Velázquez: Las Meninas (1656)

    https://www.spanish-art.org/spanish-painting-las-meninas.html
    Las Meninas was painted in 1656 by Diego Velázquez and is considered to be one of the best and most intriguing paintings of this era. The painting's composition is highly elaborate and challenges the perceptions of illusion and reality as well as the status and involvement of the subjects and the audience.

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