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Spectrum: Focus on Deaf Artists - HeART of Deaf Culture

    https://heartdeaf.com/heart/content/timelines/TextSummaries/Spectrum.htm
    Betty G. Miller: The Ranch is where we had many of our Spectrum activities. We had Deaf artists there. Not everyone made works that were Deaf-themed, but there was a focus on Deaf life and providing Deaf artists with an opportunity to move forward with their artistic lives. [Image of Chuck Baird from the late 1970s wearing a Spectrum t-shirt]

Spectrum - Deaf Artists Colony - YouTube

    https://www.youtube.com/watch?v=2vkl--cR21A
    Jul 13, 2014 · short video explaining the history of Spectrum: Focus on Deaf Artists - a Deaf artists colony in Austin, Texas during the late 1970s. Text summary in commen...Author: george Veditz site

Spectrum 1975-1980s – De'VIA Curriculum

    https://deviacurr.wordpress.com/devia-curr/devia-history-2/spectrum-1975-1980s/
    Spectrum 1975-1980s. Spectrum was a Deaf artists colony in the mid 1970s that predates the coining of the term Deaf View/Image Arts but it was important in the evolution of the term, concept and assertion of a genre about the Deaf experience. Short video explaining the history of Spectrum: Focus on Deaf Artists – a Deaf artists colony in Austin, Texas during the late 1970s.

The art colony Spectrum Focus on Deaf Artists was founded ...

    https://www.coursehero.com/file/pn3q1u/The-art-colony-Spectrum-Focus-on-Deaf-Artists-was-founded-by-a-group-of-hearing/
    The art colony Spectrum - Focus on Deaf Artists was founded by a group of hearing artists in Texas in 1975 with financial assistance from the National Endowment for the Arts. Betty G. Miller left Gallaudet to join them, and in 1977 Spectrum was officially launched with 22 Deaf performing and visual artists. 12 First based at a ten-acre ranch, Spectrum later moved to a renovated warehouse in downtown Austin.

De’VIA Timeline – Deaf Art

    https://deaf-art.org/deaf-art/devia-timeline/
    • 1st show focusing on art with Deaf Themes . Ameslan Prohibited by Betty G Miller . Bell School 1944. 1975. Spectrum: Focus on Deaf Artists • Artist Colony formed in Austin, Texas. • Theatre, poetry, dance, and visual arts. • Betty G. Miller & Chuck Baird gather sides of Deaf Artists’ work. Betty G. Miller Spectrum: Focus on Deaf Artists

Deaf Art – Deaf Art

    https://deaf-art.org/deaf-art/
    Since then her work has inspired several Deaf visual artists to create work based on their Deaf experiences. These artists often discussed whether or not there was a “Deaf Art” — a genre or school of thought. Starting at Spectrum, Focus on Deaf Artists’ summer festivals in 1977 and 1978, there were formal workshops on the question of ...

Project Concept - Deaf Art

    http://www.deafart.org/Tour/Project_Concept/project_concept.html
    However, following the Civil Rights movement in the U.S., which contributed to a renaissance of Deaf culture, Spectrum: Focus on Deaf Artists was founded in 1975 and brought together 22 Deaf artists, dancers, painters and actors from around the country to celebrate Deaf culture in art. Three years earlier, Deaf artist Betty Miller had presented the first exhibition in the U.S. devoted to art expressing themes from Deaf …

Betty Miller, 78 Gay News Washington D.C.

    https://www.washingtonblade.com/2013/01/09/betty-miller-78/
    Jan 09, 2013 · She co-founded Spectrum, Focus on Deaf Artists in Austin, Texas in the late 1970s. Long active in civic endeavors, she worked for and supported Deafpride Inc. in Washington. She was a member of the...

Deaf Culture Values: Art and Literature Start ASL

    https://www.startasl.com/deaf-culture-art-and-literature/
    Feb 15, 2021 · This painting was made in 1987 from the projection of a slide from the Spectrum: Focus on Deaf Artists event around 1978. The man in the blue cap is Chuck Baird. Deaf culture art is more than just a painting or a drawing.

De’VIA Manifesto

    https://surdistsunited.com/devia-history/devia-manifesto/
    Starting at Spectrum, Focus on Deaf Artists’ summer festivals in 1977 and 1978, there were formal workshops on the question of Deaf Visual Art, and there have been many lectures and workshops since then. Yet, these workshops lasted only an hour or two, and never really came to any formal decision.

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