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http://courses.washington.edu/intro2ds/Readings/Thomson-duffy.pdf
Staring Back: Self-Representations of Disabled Performance Artists ROSEMARIE GARLAND THOMSON Howard University The meaning of the body, thus the meaning of the self, emerges through social relations. 1 We learn who we are by the responses we elicit from others. In social relations, disabled bodies prompt the question,
https://www.researchgate.net/publication/236714681_Staring_Back_Self-Representations_of_Disabled_Performance_Artists
Disabled artists have disrupted the stare through the oppositional visual practice of "staring back" in which they manipulate the stare to re-narrate disability (Garland-Thomson 2000). In the same ...Author: Rosemarie Garland-Thomson
https://www.academia.edu/28508550/Just_Looking_and_Staring_Back_Challenging_Ableism_Through_Disability_Performance_Art
Staring Back: Disability Performance ArtDisability performance artists raise important questions regarding the social construction of normal/abnormal dichotomies through an examination of the cultural inscription of their own bodies.
https://www.tandfonline.com/doi/abs/10.1080/00393541.2007.11518721
Feb 06, 2013 · (2007). Just Looking and Staring Back: Challenging Ableism through Disability Performance Art. Studies in Art Education: Vol. 49, No. 1, pp. 7-22.Cited by: 67
https://www.jstor.org/stable/25475851
Just Looking and Staring Back: Challenging Ableism Through Disability Performance Art Jennifer Eisenhauer The Ohio State University This article advocates for art curriculum to be guided by the goal of challenging the discrimination, stigmatization, marginalization, and medicalization of disabled people.
https://eric.ed.gov/?id=EJ875583
This article advocates for art curriculum to be guided by the goal of challenging the discrimination, stigmatization, marginalization, and medicalization of disabled people. The Disability Arts Movement provides an important site through which to engage students in exploring the sociopolitical issue of ableism in art curriculum. The pedagogical strategies of disability performance artists ...
https://www.disabled-world.com/communication/art/
Disability Art Facts and Statistics. Artists who identify as disabled and make work about disability are growing in numbers, as are curators who identify as disabled and curate exhibitions on disability. The development of disability art began in the 1970s / 80s as a result of the new political activism of the disabled peoples' movement.
https://arthistoryteachingresources.org/lessons/disability-in-art-history/
Chronologically, “disability studies” emerged in the mid-to-late 1980s, and “body art” was established as a category of contemporary art in the 1970s, but disabled bodies occur in art dating to at least the 1 st century CE. Still, a class on the disabled body might come quite late in the semester, after looking at other issues of ...
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