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http://www.smithsonianeducation.org/migrations/portrait/essay.html
images of George Washington, Saint-Mémin became an itinerant artist in 1803. That year witnessed a heightened interest in all types of profile portraits, a phenomenon that painter Charles Willson Peale described as the "rage for profiles." By this time Louis Lemet (circa 1779-1832),
http://www.smithsonianeducation.org/migrations/portrait/npg.html
B etween 1796 and 1810, Charles Balthazar Julien Févret de Saint-Mémin (1770-1852) created some of the most memorable images in the history of American portraiture. Nearly a thousand Americans sat for portraits, among them Thomas Jefferson, Paul Revere, Mother Seton, Meriwether Lewis, and …
https://www.monticello.org/site/research-and-collections/jefferson-portrait-saint-m%C3%A9min-physiognotrace
Historical Notes: When the French émigré Charles Fevret de Saint-Mémin introduced physiognotrace portraits to the United States in 1797, Jefferson was already acquainted with the use of a mechanical device to trace a sitter's profile.
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