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https://www.metmuseum.org/art/collection/search/49433
Artist: Su Renshan (Chinese, 1814–1849) Period: Qing dynasty (1644–1911) Culture: China. Medium: Hanging scroll; ink on paper. Dimensions: 45 1/2 x 15 3/4 in. (115.6 x 40 cm) Classification: Paintings. Credit Line: Gift of Robert Hatfield Ellsworth, in memory of La Ferne Hatfield Ellsworth, 1986. Accession Number: 1986.267.9
https://www.metmuseum.org/art/collection/search/41906
Artist: Su Renshan (Chinese, 1814–1849) Period: Qing dynasty (1644–1911) Culture: China. Medium: Hanging scroll; ink on paper. Dimensions: 37 3/8 x 15 in. (94.9 x 38.1 cm) Classification: Paintings. Credit Line: Gift of Robert Hatfield Ellsworth, in memory of La Ferne Hatfield Ellsworth, 1986. Accession Number: 1986.267.8
https://collections.artsmia.org/art/105241/the-seven-sages-of-the-bamboo-grove-su-renshan
Although Su Renshan led a tragic life, he was one of the most modern, inspired, and unique artists of the nineteenth century. He broke the traditional mold of literati painting using completely new techniques, compositions, and visions. While precociously gifted in painting and calligraphy from youth, he failed the civil examinations twice, was anti-social, held violently anti-Manchu views, and was accused by his …
https://uhpress.hawaii.edu/title/a-defiant-brush-su-renshan-and-the-politics-of-painting-in-early-19th-century-guangdong/
As the Opium War unfolded in Guangdong Province, the painter Su Renshan (1814– c.1850) exploded onto the art scene with a bold, paradigm-turning new voice. A Defiant Brush takes a fresh look at this under appreciated artist in the context of a nascent Chinese modernism.In 1839 Guangzhou shifted from a cosmopolitan trading center with a…
https://artsandculture.google.com/asset/travellers-in-the-mountains/wgGlbDowYKqkqQ
Creator: Su Renshan; Date: c. 1850; Theme: Landscape; Physical Dimensions: w60 x h125 cm; About the Artist: Although praised by some modern art historians as "the genius of painting through the...
https://www.christies.com/en/lot/lot-6143492
SU RENSHAN (1813-1851) Kingdom of Longevity Hanging scroll, ink on paper 235 x 120.5 cm. (92 1/2 x 47 1/2 in.) Entitled, inscribed and signed, with two seals of the artist
https://www.amazon.com/Defiant-Brush-Politics-19th-Century-Guangdong/dp/0824841034
Jul 31, 2014 · As the Opium War unfolded in Guangdong Province, the painter Su Renshan (1814– c.1850) exploded onto the art scene with a bold, paradigm-turning new voice. A Defiant Brush takes a fresh look at this under appreciated artist in the context of a nascent Chinese modernism.Reviews: 1
https://www.academia.edu/16406339/Yeewan_Koon_A_Defiant_Brush_Su_Renshan_and_the_Politics_of_Painting_in_Early_19th_Century_Guangdong_Hong_Kong_University_Press_2014_review_
Its focus on Su Renshan and Guangdong expands the geographical field of inquiry of the history of Chinese painting, as noted above. But the author is also methodologically ambitious. The book upholds biography as an important aspect of the work that it does, and to that end it reads Su Renshan's paintings and texts closely; it also attends to ...
https://www.academia.edu/35108862/A_Defiant_Brush_Su_Renshan_Art_in_the_Delta_Hinterlands
After Li Chu-tsing, “Su Renshan (1814–1849), The Rediscovery and Reappraisal of a Tragic Cantonese Genius,” Oriental Art, vol. IV, Winter 1970, 355 fSu Renshan: Art in the Delta Hinterlands 87 of Lu44 also offers sufficient clues to reconstruct is said about the impact of kaozheng scholarship his history.
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