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https://www.theartstory.org/movement/die-brucke/artworks/
May 21, 2015 · Artist: Erich Heckel. In their studies toward a modern, expressionistic art, the Die Brücke group regularly sketched, painted, and printed images of two young neighborhood girls they used as models, one of whom, "Franzi," (Lina Franziska Fehrmann) Erich Heckel depicts here.
https://www.britannica.com/topic/Die-Brucke
The paintings and prints by Die Brücke artists encompassed all varieties of subject matter—the human figure, landscape, portraiture, still life—executed in a simplified style that stressed bold outlines and strong colour planes.
https://www.theartstory.org/movement/die-brucke/
Summary of Die Brücke. Progenitors of the movement later known as German Expressionism, Die Brücke formed in Dresden in 1905 as a bohemian collective of artists in staunch opposition to the older, established bourgeois social order of Germany. Their art confronted feelings of alienation from the modern world by reaching back to pre-academic forms of expression including woodcut prints, carved wooden sculptures, …
https://www.moma.org/collection/terms/15
The artists’ group Die Brücke was established in 1905, a moment that is recognized as the birth of Expressionism. The affiliated artists often turned to simplified or distorted forms and unusually strong, unnatural colors to jolt the viewer and provoke an emotional response. Its leading members were Erich Heckel, Ernst Ludwig Kirchner, Max Pechstein, and Karl Schmidt-Rottluff.
http://www.ernstludwigkirchner.org/die-brucke/
Expressionism may never have happened were it not for the formation of the Die Brücke art movement in Dresden, 1905. The leaders of this forward-thinking artist collective included Ernst Ludwig Kirchner, Fritz Bleyl, Erich Heckel and Karl Schmidt-Rottluff.
http://www.visual-arts-cork.com/history-of-art/die-brucke.htm
Fifty four years later, a museum dedicated to the art of Die Brucke was opened in Berlin by Schmidt-Rottluff. See also: History of Expressionist Painting (c.1880-1930). Key Collections. Although works by Die Brucke artists hang in many of the world's best art museums, good collections can be viewed at these institutions:
https://www.moma.org/s/ge/curated_ge/styles/brucke.html
The artists of the Brücke yielded to the siren call of the modern city, exploring its pleasures and dangers as one of their key themes. Only the title situates this painting in Dresden, as Kirchner focuses on the passersby, emphasizing the fleeting and contingent encounters made possible by urban anonymity.
https://germanexpressionismleicester.org/story-of-expressionism/expressionist-groups/die-bruecke-(the-bridge)/
They were: Ernst Ludwig Kirchner (1880-1938), Erich Heckel (1883-1970), Karl Schmidt-Rottluff (1884-1976) and Fritz Bleyl (who left shortly afterwards). The group was later joined by Max Pechstein (1881-1955), Otto Mueller (1874-1930) and Emil Nolde (1867-1956). Their name symbolised the’ bridge’ over which they would cross to the art of the future, a title derived in part from their admiration for the …
https://citaliarestauro.com/en/expressionism-die-brucke-der-blaue-reiter/
Kandinsky, Paul Klee, Franz Marc, Auguste Macke, among others, followed the precept of expressing in art their personal reflection on Life and the World. They chose subjects from the rural and urban landscape with social scenes included, or, then, scenes of animal life, whose intention is allegorical.
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