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TAKE FO’ Records, established in 1992, and was operated by creative duo Earl J. Mackie and Henry F. Holden, until Hurricane Katrina devastated New Orleans in 2005. Prior to creating the record label, the duo teamed up to produce a cable access television program called Positive Black Talk, “due to a need for positive African American leadership in the New Orleans community.”.
http://takeforecords.co/about-us/
THE HISTORY. TAKE FO’ Records, established in 1992, and was operated by creative duo Earl J. Mackie and Henry F. Holden, until Hurricane Katrina devastated New Orleans in 2005. Prior to creating the record label, the duo teamed up to produce a cable access television program called Positive Black Talk, “due to a need for positive African American leadership in the New Orleans community.”.
https://www.facebook.com/TheRealTakeFo/?__xts__%5B0%5D=68.ARCzekyv3FPygPQTc6lQr48J2yz5GfxyZjZ8agVMlYmpX41ZE8UU2wOQwOfFP8UaKryRT7eCX-T4KcQfhaXjWijp83KHnUwHv7IMCAKBFWDkhyZ5jCB2TctANnQWTDihTyWepS8fQfrM-RiJ1G2GwZipipwWPxu5Ti0IV6ATdjxnsXlTTDrJO3YpuM-ecZbfLQxRqk8diELS8iWlJZDnFpqUm0XBW7EuV9552oZlI3_oFb9b7X5YT-niK5KNfMai2CoV_0cAfbdWO0q-36ltOktSwEnbrg
Take Fo' Records, New Orleans, Louisiana. 839 likes · 23 talking about this. The OFFICIAL account of TAKE FO' Records EST. 1992 Pioneers of the original New Orleans famous Bounce MusicFollowers: 882
https://www.facebook.com/TheRealTakeFo/?__xts__%5B0%5D=68.ARBvaJ1jkteDp3ca45VikgXaIJlvhWu2Iidpnzb2W9P70r-hepYNwbTvweExtiTqTIdC36QcULd0MQD1ex71tcL0apbpLYAGW-LTYz5-pXsUQbLRonPRpZhPphih245JSjOj3Dt0iD27pvrg2Uw1V3d1EGC-_o-eyhRBXjbKdMDPCnVrb-BjfuOYJHK9TVSjXfYqk33aY4JSzIwRi8L1JpBP6zx7rAbdD4oEwRiETkqEbqV94bRi-2fiKRm8zuI7VkvqkTnnAS3XdAWjcWP4upq-a4uv3iCHGtsWS8FTY7vEcJL4Mw7p5yREy2TUCnZHPiDubBvoqYs
Take Fo' Records January 27 at 11:08 AM · In 1992, the Take Fo’ release of DaShaRa was very similar to that of Salt-N-Peppa. The creation and relationship between Salt-N-Peppa, Kid ‘n Play and Martin Lawrence is very similar if not a mirror to that of DaShaRa, DJ Jubilee and Anthony Mackie.Followers: 822
https://www.facebook.com/TheRealTakeFo/?__xts__%5B0%5D=68.ARDtKuIV0nhsTujxE3asLCj4AxCDBIzLngaHBi5SS4XTUCtYJwCEM15bPPoDKbqkxxAuQmMS9AN-lkhJ5UXFmH2VknU_eyXrnDv-U4Os5ai7DIkA8mQ7cJ0eaaaiaPUHHqu2A_iCCXBzkdfLZpOn9SMHfybzHkk5r7DT0Kuh-V5nsB2drdeTvLUYsWy-YtZGPfzmu1XE9qQDVYqO-703rExvLx2OhCgPzM7LNzd0eEdKat1-mNyj5OXP6DBqbSoEwjLolAb6I4D1Jq3FZiZvj0pNO1OvgQG9WhNrKW88KEO9E7shserrSA
Take Fo' Records January 27 at 11:08 AM · In 1992, the Take Fo’ release of DaShaRa was very similar to that of Salt-N-Peppa. The creation and relationship between Salt-N-Peppa, Kid ‘n Play and Martin Lawrence is very similar if not a mirror to that of DaShaRa, DJ Jubilee and Anthony Mackie.
https://www.discogs.com/label/23928-Take-Fo-Records
56 rows · Take Fo' Records. Profile: Take Fo' Records is an independent record label that …
https://www.discogs.com/artist/1079760-KC-Redd
Kasey “K.C. Redd” Segue, a Take Fo' Records artist from the late 90’s. K.C. collaborated with label mates DJ Jubilee, Junie Bezel, Katey Red and others on her 1999 album “It’s A G Thang.” Her song “Hot Girlz on Fire” is one of several New Orleans bounce songs to use the melody from “Iko Iko”/”Jock-A-Mo,” the classic New Orleans R&B variation on a Mardi Gras Indian chant.
https://en.wikipedia.org/wiki/Katey_Red
Career. In 1998, DJ Jubilee saw Red rapping at a block party in New Orleans and signed her to his label, Take Fo' Records. She released her first album in 1999, titled "Melpomene Block Party". Considered the first openly gay bounce artist, Red developed a unique style of bounce, which is often referred to as sissy bounce. Her style is high energy, often employing call and response.
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