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Artists and the Archives Things I'm Fonds Of

    http://www.thingsimfondsof.com/artists-and-the-archives/
    Oft-quoted in articles about this subject, Hal Foster’s 2004 October article, “An Archival Impulse,” explored the work of three artists who make use of archives in their work. He explained that “archival artists seek to make historical information, often lost or …

An Archival Impulse The Other Reality

    https://otherreality.wordpress.com/2009/05/01/an-archival-impulse/
    May 01, 2009 · Hal Foster examines three contemporary artists whose work uses the concept of archives in his essay “An Archival Impulse.” While there are many artists who use archives today he chose to look at Thomas Hirschhorn, Sam Durant, and Tacita Dean. Before he elaborates on each of their work he first discusses some of the qualities used in archival art.

An Archival Impulse

    https://wikis.nyu.edu/download/attachments/62920128/Foster%20An%20Archival%20Impulse.pdf?api=v2
    Conceptual art, institutional critique, and feminist art). Yet an archival impulse with a distinctive character of its own is again pervasive—enough so to be considered a tendency in its own right, ... Scorsese, and others.2 These sources are familiar, drawn from the archives of mass

An Archival Impulse

    https://www.jstor.org/stable/3397555
    An Archival Impulse HAL FOSTER Consider a temporary display cobbled together out of workday materials like cardboard, aluminum foil, and packing tape, and filled, like a homemade study-shrine, with a chaotic array of images, texts, and testimonials devoted to a radical artist, writer, or philosopher. Or a funky installation that juxtaposes a model of a

An Archival Impulse - Monoskop

    https://monoskop.org/images/6/6b/Foster_Hal_2004_An_Archival_Impulse.pdf
    If archival art differs from database art, it is also distinct from art focused on the museum. Certainly the Þgure of the artist-as-archivist follows that of the artist-as-curator, and some archival artists continue to play on the category of the collection. Yet they are not as concerned with critiques of …

Summary: An Archival Impulse – Hal Foster - Art and Today

    https://artandtoday2012.blogspot.com/2012/08/summary-archival-impulse-hal-foster.html
    Aug 28, 2012 · In this essay Hal Foster discusses the presence of archival art in contemporary art through the use of three contemporary artists, Thomas Hirschhorn, Sam Durant, and Tacita Dean - who share the same notions of ‘artistic practice as an idiosyncratic probing into particular figures, objects, and events in modern art, philosophy, and history’. The main purpose of archival art is to ‘make historical …

The Archival Impulse: Magali Lara and Carmen Boullosa’s ...

    https://awarewomenartists.com/en/magazine/pulsion-darchivage-les-livres-dartiste-collaboratifs-de-magali-lara-et-carmen-boullosa/
    M. Lara’s subversion of the calendar recalls F. Ehrenberg’s own artist’s book Pussywillow: A Journal of Conditions (1973), which in parts juxtaposes an unmarked calendar page with a print of a woman pleasuring herself, an image that directly evokes the male gaze of Gustave Courbet’s Origin of the World (1866) and Marcel Duchamp’s Étant donnés (1946–1966).

DISCOURSE: THE ARCHIVE AS IMAGINATION - Newspaper - …

    https://www.dawn.com/news/1603268
    Jan 24, 2021 · In An Archival Impulse, Hal Forester writes that archival artists are “often drawn to unfulfilled beginnings or incomplete projects — in art and history alike — that might offer points of ...

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