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https://monoskop.org/images/8/87/Foster_Hal_1995_The_Artist_as_Ethnographer.pdf
The Artist as Ethnographer? Hal Foster My title is meant to evoke "The Author as Producer," the text of which Walter Benjamin first presented at the Institute for the Study of Fascism in Paris in April 1934. There, under the influence of Berthold Brecht and Russian revolutionary
https://pdflibrary.files.wordpress.com/2008/02/artistethnographer.pdf
The Artist as Ethnographer? Hal F0.r.k~ My title is meant to evoke "The Author as Producer," the text of which Walter Benjamin first presented at the Institute for the Study of Fascism in Paris in Apd 19%. There, under the influence of Berthold Brecht and Russian revolutionary culture, Benjamin (1978) called on the artist on the left "to side with the prole- tariat."'
https://www.amazon.com/Kandinsky-Old-Russia-Artist-Ethnographer/dp/0300056478
Wassily's ethnographic roots, a reconciliatory place between law and art, took him on a journey via drumbeats/hoofbeats to the other world- not merely the "modern" cul de sac of "pure art", where shapes were only shapes and colors, but where the personal intersected with …Cited by: 18
http://csmt.uchicago.edu/annotations/fosterartist.htm
Foster, "The Artist as Ethnographer" annotation by Brandon Hopkins. Brandon Hopkins. [email protected]. University of Chicago. In The Return of the Real, Hal Foster investigates the goals and practices neo-avant-garde art movements and their relation to modernist movements such as dada, surrealism, and constructivism. Chapter 6 of his book, “The Artist as Ethnographer,” deals …
https://infiltratemathematics.wordpress.com/2017/10/06/artist-as-ethnographer/
Oct 06, 2017 · Hal Foster wrote something important about the artist as ethnographer. the subject is othered, and the researcher still has the power; the ethnographer envies the artist’s reflexivity, while the artist envies the ethnographer’s access to an ‘other’ that has various properties attributed to it
https://www.jstor.org/stable/25067210
The Artist as Ethnographer: Charles Cordier and Race in Mid-Nineteenth-Century France Facing the Other: Charles Cordier, Ethnographic Sculptor Dahesh Museum of Art, New York, October 12, 2004-January 13, 2005 Laure de Margene and Edouard Papet, with contributions by Christine Barthe and Maria Vigli, Facing the Other: Charles Cordier (1827
http://www.corner-college.com/udb/cpro2ZgGKfArtist_As_Ethnographer.pdf
ethnographer. T h e object of contestation remains, at least in part, the bourgeois institution of autonomous art, its exclusionary definitions of art, audience, iden- tity. But the subject of association has changed: it is now the cu ltu ral an d /o r eth- nic other i n w hose n a m e the artist often stru ggles. A nd yet, despite this sh ift ...
https://www.tandfonline.com/doi/pdf/10.1080/02560046.2013.855513
artist as ethnographer’ in Musée du Quai Branly in Paris, by the curatorial platform ‘le peuple qui manque’. The aim of the conference was to ambitiously raise the epistemological issues at stake […], from multiple locations and practices: artistic inquiries …
https://www.ibraaz.org/essays/11
Jun 01, 2011 · Hal Foster, 'The Artist as Ethnographer?' From the flurry of interest emanating from exhibitions, publications, and other initiatives since September 11, anthropologist Kirsten Scheid infers that 'all signs suggest an imminent flourishing in the study of contemporary Arab art'. [2]
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