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https://www.ncbi.nlm.nih.gov/pubmed/11616639
1. Art Hist. 1983;6(4):461-77. The artist as anthropologist in mid-Victorian England: Frith's Derby Day, the Railway Station and the new science of mankind.Cited by: 2
https://www.jstor.org/stable/3828361
ing, "The Artist as Anthropologist in Mid-Victorian England: Frith's Derby Day, The Railway Sta-tion, and the New Science of Mankind," Art History 6 (1983), 461-477, and her Artist as Anthropol-ogist: The Representation of Type and Character in Victorian Art (Cambridge: Cambridge University Press, 1989). VICTORIAN STUDIES 308
https://www.researchgate.net/journal/Art-History-1467-8365
The artist as anthropologist in mid-Victorian England: Frith's Derby Day, the Railway Station and the new science of mankind.
https://en.wikipedia.org/wiki/Joseph_Kosuth
It was this experience and study which lead to his well-known text ‘The Artist as Anthropologist’ in 1975. Hung on walls, his signature dark gray, Kosuth's later, large photomontages trace a kind of artistic and intellectual autobiography.Born: January 31, 1945 (age 76), Toledo, Ohio
https://academic.oup.com/jvc/article/22/1/81/4609389
Mar 01, 2017 · Mary Cowling, ‘The Artist as Anthropologist in Mid-Victorian England: William Powell Frith’s Derby Day, the Railway Station and the New Science of …Author: Mike Huggins
https://books.google.com/books/about/Art_and_the_Victorian_Middle_Class.html?id=ILFzQgAACAAJ
This is the first study of middle-class collection practices in nineteenth-century England. It examines the Victorian art world from the perspective of the businessmen whose successes during the Industrial Revolution caused them to turn to art as a means of carving out an identity of their own that was distinct from the leisured existence of the aristocracy and gentry.
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