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https://monoskop.org/images/8/87/Foster_Hal_1995_The_Artist_as_Ethnographer.pdf
The Artist as Ethnographer? Hal Foster My title is meant to evoke "The Author as Producer," the text of which Walter Benjamin first presented at the Institute for the Study of Fascism in Paris in April 1934. There, under the influence of Berthold Brecht and Russian revolutionary
https://monoskop.org/images/8/87/Foster_Hal_1995_The_Artist_as_Ethnographer.pdf?fbclid=IwAR1Tb8yNRmAWDsmuVm6caJHsARfw-ItJGcQo6ql2dCvkoSwjaHCnzoKO4lc
Created Date: 12/13/2015 12:41:30 AM
http://csmt.uchicago.edu/annotations/fosterartist.htm
Foster, "The Artist as Ethnographer" annotation by Brandon Hopkins. Brandon Hopkins. [email protected]. University of Chicago. In The Return of the Real, Hal Foster investigates the goals and practices neo-avant-garde art movements and their relation to modernist movements such as dada, surrealism, and constructivism. Chapter 6 of his book, “The Artist as Ethnographer,” deals …
https://pdflibrary.files.wordpress.com/2008/02/artistethnographer.pdf
304 HAL FOSTER THE ARTIST AS ETHNOGRAPHER?305 medm absorb everything in pure malevolence (indeed we know they cannot). Rather my concern is with the shhral &ch of the realist assumption in political, here quasi-anthropologicd, art, in particular with its siting of political truth in a projected alrerity. I mentioned the problem of automatic coding of artists I&-A+vis
https://www.lepeuplequimanque.org/en/ethnographe
In his 1995 article « Portrait of the Artist as Ethnographer », Hal Foster gave a singular insight on how the former « artistic desire » of the ethnographer has been reversed. Indeed the ethnographic turn in contemporary art is still to be questioned.
https://infiltratemathematics.wordpress.com/2017/10/06/artist-as-ethnographer/
Oct 06, 2017 · Hal Foster wrote something important about the artist as ethnographer. the subject is othered, and the researcher still has the power; the ethnographer envies the artist’s reflexivity, while the artist envies the ethnographer’s access to an ‘other’ that has various properties attributed to it
https://www.anvandienderen.net/article-revisiting-the-ethnographic-turn-in-contemporary-art/
In his essay ‘The artist as ethnographer?’ Foster (1995) develops a strong critique of what he calls the quasi-anthropological paradigm in contemporary art. He argues that there has been a series of misrecognitions between art and anthropology, since both sides have not only displayed envy of the other’s enterprises, but also ignorance of how methods, paradigms and traditions were established …
http://www.corner-college.com/udb/cpro2ZgGKfArtist_As_Ethnographer.pdf
ethnographer. T h e object of contestation remains, at least in part, the bourgeois institution of autonomous art, its exclusionary definitions of art, audience, iden- tity. But the subject of association has changed: it is now the cu ltu ral an d /o r eth- nic other i n w hose n a m e the artist often stru ggles. A nd yet, despite this sh ift ...
https://www.jstor.org/stable/1320980
Foster's (1999) article, "Artist as Ethnographer," argues that the current paradigmatic shift to ethnography in contemporary art is highly problematic as it encourages "pseudo-ethnography," because many artists do not follow the ethnographic methodology in any serious way. Instead, the artist enters a community for a day or week, interviews a ...
https://www.taylorfrancis.com/chapters/case-tattooing-nicholas-thomas/e/10.4324/9781003135487-13
In a 1995 essay, ‘The Artist as Ethnographer’, Hal Foster identifies an ‘ethno-graphic turn’ in contemporary art, which he finds problematic on a number of grounds. This development owes something to the long-standing mutual engagement between art and anthropology, but reflects a new sense of a shared paradigm.
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