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https://monoskop.org/images/8/87/Foster_Hal_1995_The_Artist_as_Ethnographer.pdf
The Artist as Ethnographer? Hal Foster My title is meant to evoke "The Author as Producer," the text of which Walter Benjamin first presented at the Institute for the Study of Fascism in Paris in April 1934. There, under the influence of Berthold Brecht and Russian revolutionary
http://csmt.uchicago.edu/annotations/fosterartist.htm
Foster, "The Artist as Ethnographer" annotation by Brandon Hopkins. Brandon Hopkins. [email protected]. University of Chicago. In The Return of the Real, Hal Foster investigates the goals and practices neo-avant-garde art movements and their relation to modernist movements such as dada, surrealism, and constructivism. Chapter 6 of his book, “The Artist as Ethnographer,” deals …
https://infiltratemathematics.wordpress.com/2017/10/06/artist-as-ethnographer/
Oct 06, 2017 · Hal Foster wrote something important about the artist as ethnographer. the subject is othered, and the researcher still has the power; the ethnographer envies the artist’s reflexivity, while the artist envies the ethnographer’s access to an ‘other’ that has various properties attributed to it
https://pdflibrary.files.wordpress.com/2008/02/artistethnographer.pdf
304 HAL FOSTER THE ARTIST AS ETHNOGRAPHER? 305 medm absorb everything in pure malevolence (indeed we know they cannot). Rather my concern is with the shhral &ch of the realist assumption in political, here quasi-anthropologicd, art, in particular with its siting of political truth in a projected alrerity.
https://ivypanda.com/essays/decoloniality-in-art-and-artist-as-ethnographer/
In one of his past works, Araeen explained that an artist is a thinker who has to represent a kind of racial and cultural other who cannot be “defined or recognized by what [s/he] does in art, one’s position as an artist is predetermined by these differences”. 15 Such theoretical explanation of racism and its connection to art seems to be a good contribution to the discussions of cultural …
https://uditis.blogspot.com/2010/07/reading-hal-foster-artist-as.html
Jul 19, 2010 · Reading: Hal Foster: The Artist as Ethnographer. Some Key Points: Assumption that the site of artistic transformation is the site of political transformation. this site is always located elsewhere. Assumption that the other is always outside and that this alterity is the primary point of subversion of dominant culture.
https://tnedrandolph.blogspot.com/2011/04/response-to-hal-fosters-artist-as.html
Apr 13, 2011 · One of our readings this semester was by Hal Foster whose 1996 essay, "Artist as Ethnographer" criticized the practice of artists acting as quasi-anthropologists. He appears particularly concerned with site-specific art that acts in critique of its surroundings -- and often fails to truly digest its surroundings before forming its critique.
https://www.academia.edu/30147799/The_Southeast_Asian_Art_Historian_as_Ethnographer
Hal Foster, ‘The Artist as tinue a discussion initiated by the historian Oliver Wolters and the art Ethnographer’, in Return historian Stanley O’Connor, and continued by the anthropologist of the Real: the Avant- Garde at the End of the Mary Steedly over a decade ago.
https://searchworks.stanford.edu/view/3353468
Summary. After the dominant models of art-as-text in the 1970s and art-as-simulacrum in the 1980s, Hal Foster argues that in the 1990s, we are now witness to a "return to the real" - to art and theory that seek to be grounded in bodies and sites, identities and communities.
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