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https://www.amazon.com/Artist-Interview-Conservation-Preservation-Contemporary/dp/9490322326
Oct 01, 2012 · The Artist Interview - for Conservation and Preservation of Contemporary Art. Guidelines & Practice: Lydia Beerkens (et. al): 9789490322328: Amazon.com: Books. Paperback. from $99.99. Other sellers & formats from $99.99. Price. New from. Used from. Paperback.Author: Lydia Beerkens (et. al)
https://www.incca.org/articles/book-artist-interview-2012
The Artist Interview. For conservation and presentation of contemporary art. Guidelines and practice. Lydia Beerkens (et.al) The key to conserving and preserving modern and contemporary works of art lies in the gathering of specific content related and technical information.
https://www.academia.edu/34772585/The_Artist_Interview_Henk_Peeters_on_the_making_and_remaking_of_his_work
Lydia Beerkens. Download PDF. Download Full PDF Package. This paper. A short summary of this paper. 36 Full PDFs related to this paper. READ PAPER. The Artist Interview: Henk Peeters on the making and remaking of his work. Download. The Artist Interview: Henk Peeters on the making and remaking of his work ...
https://core.ac.uk/display/223855210
Lydia BEERKENS [& oth.] with support of SMBK, RCE and the University of Amsterdam,2013 ISBN 978-94-90322-32-8 160 p., 27,5 x 21 cm One of the ways to obtain authentic, content-related and technical information on modern and contemporary artworks is to interview the artists who created them.Author: Marc MAIRE
https://www.sbmk.nl/en/publications/artist_interview
The Artist Interview For Conservation and Presentation of Contemporary Art. Guidelines and Practice In order to preserve and maintain contemporary artworks, we need authentic, content-related and technical information which we can obtain by interviewing the artists who produced them.
https://sral.academia.edu/LydiaBeerkens
3. Lydia Beerkens, ‘Henk Peeters on the Making and Remaking of his Work’, in: Beerkens et al., The Artist Interview, Heijningen 2012, pp 112-119 4. Lydia Beerkens, ‘a World of Reversals, Sculptures by Tom Claassen’, in: Beerkens et al., The Artist Interview, Heijningen 2012, pp 78-85 5. L.
http://www.tate.org.uk/file/lydia-beerkens-nothing-real-thing-considerations-on-copies-remakes-and-replicas-modern-art
A dry run of this proposal was set up during the planned artist interview in 2003. The filmed interview took place in the Kröller-Müller museum where some of his major rubber works are held. One of the four rubber owls was missing from the installation Untitled , 2000. The plan was to remake it during the interview.
https://www.researchgate.net/publication/299507461_Reflections_on_the_artist_interview_and_the_conservator's_point_of_view_by_example_of_Ger_van_Elk
Eds. Lydia Beerkens, Paulien’ t Hoen, IJsbrand Hummelen, Vivian V an Saaze, ... Preparing for the artist interview, I was very much aware of the fact that Ger van Elk believes .
https://www.artcons.udel.edu/news/Pages/Student-Blog-The-documentation-of-contemporary-art.aspx
During my work-placement, I transcribed an artist interview from 2005 between artist Marta Pan and conservators Sannneke Stigter and Lydia Beerkens. The interview was conducted to learn more about the Sculpture Flottante, Otterlo (1961), a polyester kinetic sculpture that floats on a pond at the Kröller-Müller Museum in Otterlo, Netherlands.
https://www.researchgate.net/profile/Lydia_Beerkens
Lydia Beerkens is a Senior Conservator of Modern and Contemporary Art at the Art Conservation and Research Institute (SRAL) in Maastricht, The Netherlands. She also runs the Modern Art ...
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