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http://www2.tate.org.uk/artistplacementgroup/
Introduction. The Artist Placement Group (APG) emerged in London in the 1960s. The organisation actively sought to reposition the role of the artist within a wider social context, including government and commerce, while at the same time playing an important part in the history of conceptual art during the 1960s and 1970s. The Observer journalist, Peter Beaumont, has described the APG as ‘one of the …
https://en.contextishalfthework.net/about-apg/artist-placement-group/
The Artist Placement Group (APG) initiated and organised ‘placements’ for artists in industry or public institutions, where artists researched, worked on projects and realised art works. They made the case for the mutual benefit of the artists’ presence in organisations.
https://www.tate.org.uk/artistplacementgroup/chronology.htm
Chronology. 1966-70 1971-79 1981-89 1990-2005. The Destruction In Art Symposium (DIAS) is held at the Africa Centre in Covent Garden, London, bringing together a diverse group of artists including Barbara Steveni, John Latham and Stuart Brisley. The APG is formed in London by Barbara Steveni in collaboration with John Latham; they are joined by Jeffrey Shaw, Barry Flanagan, Stuart Brisley, …
https://www.artistpg.com/
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https://barbarasteveni.org/Work-APG-Artist-Placement-group
From the late 1960s to the early 1980s, the APG negotiated over nineteen artist placements in the U.K. and Western Europe. The Group began with high profile industries, such as Garth Evans’s placement with the British Steel Corporation and Andrew Dipper’s placement with Esso Petroleum.
https://www.frieze.com/article/artist-placement-group
When the Artist Placement Group (APG) was founded in London in 1966, by Barbara Steveni in collaboration with her then partner John Latham, it wasn’t the question of labour’s immateriality, but Conceptualism’s radical critique of the materiality of the art object that framed their experimental investigation into the potential for new relationships between art and industry.
http://www2.tate.org.uk/artistplacementgroup/bibliography.htm
Mit Artist Placement Group (APG) London, Galerie Nachst St Stephan, Tate Archives. 1980. Breakwell, Ian. 'From the Inside. A personal history of work on placement with the Department of Health and related work, 1976-1980,' Art Monthly, no. 40, pp. 3-6. 'DHSS and Age Concern', Reminiscence Aids Project Report, Tate Archives. ...
http://infopool.antipool.org/APG.htm
For John Latham and Barbara Steveni of the Artist Placement Group (APG - renamed in 1989 as O+I), the potential disappearance of the art object was not an occasion for mourning but an ongoing continuation of attempts to give art a purpose 'outside' its immediate and overly obvious remit in the art institutions of gallery and museum.
http://www.ravenrow.org/exhibition/artist_placement_group/
This will be the first retrospective of the pioneering artists' organisation Artist Placement Group, or APG, conceived by Barbara Steveni in 1965 and established a year later by Steveni and John Latham along with Barry Flanagan, David Hall, Anna Ridley and Jeffrey Shaw, among others. Between 1966 and the turn of the eighties, APG negotiated approximately fifteen placements for artists lasting from a …
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