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https://www.metmuseum.org/art/collection/search/435868
Paul Cézanne, The Card Players, ca. 1892–96, oil on canvas, 47 x 56 cm (Musée d’Orsay, Paris) Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded. Fig. 3. Paul Cézanne, "The Card Players," ca. 1892–96, oil on canvas, 60 x 73 cm (Courtauld Gallery, London)
https://paulcezanne.org/the-card-players.jsp
Of the three versions of The Card Players Cezanne created, this little painting is the last and undoubtedly the best; it is the most monumental and also the most refined. The single shapes are simpler, but the relationships are more varied. The extraordinary conception of the left player is the result of a progressive stabilizing and detachment of this meditating figure.
https://www.metmuseum.org/art/collection/search/437049
French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. Vol. 2, XIX Century . New York, 1966, pp. 150–51, ill., call it "The Cardplayers" and note that its title prior to coming to the United States was "Four Soldiers of Louis XIII"; remark that the artist copied Teniers in the background and in the pipe placed on a ...
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