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https://charlessaumarezsmith.com/company-of-artists/
Hardcover: 192 pages Publisher: Bloomsbury / Modern Art Press (15 Oct 2012) Language: English ISBN-10: 1408182106 ISBN-13: 978-1408182109 Product Dimensions: 2.5 x 19.5 x 25.3 cm *Shortlisted for the Berger Prize 2013 On the wintry afternoon of Monday 28 November 1768, an architect and three artists were granted an audience with George III at St James's Palace; their mission, the foundation…
https://charlessaumarezsmith.com/
Charles Saumarez Smith is a freelance writer, curator and art historian. He is an author of books and articles, a lecturer, and former academic, with regular appearances on television and radio. He has been a judge for the Stirling Prize for Architecture, the BP Portrait Award, and the World Architecture Fair in …
https://www.amazon.com/Company-Artists-Origins-Academy-London/dp/1408182106
Dec 20, 2012 · Charles Saumarez Smith (Author) 5.0 out of 5 stars 1 rating On the wintry afternoon of Monday 28 November 1768, an architect and three artists were granted an audience with George III at St James's Palace; their mission, the foundation of a royal academy of arts in London.Cited by: 2
https://charlessaumarezsmith.com/blog/
3 March 2021 Charles Saumarez Smith Leave a comment Some time ago, I was asked to record thoughts on my life after the Warburg in which I was able to describe my indebtedness to it as an institution, including, most especially, Joe Trapp and my supervisor, Michael Baxandall, neither of whom encouraged me to write like Edith Wharton (see ...
https://thecritic.co.uk/issues/december-2020/making-history/
The company had specialised in producing highly-ornamented tableware and vases, but during the war, they were required to produce plain Utility ware instead. When normal production was resumed in the 1950s, the hand painting and enamelling that had been a prominent feature of the company’s designs was unfashionable and too expensive.
https://www.researchgate.net/profile/Charles-Saumarez-Smith
Charles Robert Saumarez Smith A Social History of Modern Art, volume 1, Art in an Age of Revolution, 1750–1800 by Albert Boime, Chicago and London, 1987, 283 b. & w.
https://fineartmultiple.com/blog/collector-interviews-charles-saumarez-smith/
The Chief Executive of the Royal Academy in London, Charles Saumarez Smith, has had a thrilling career, with one of its highlights being his sensational campaign to keep Raphael’s Madonna of the Pinks at the National Gallery.
https://www.theartnewspaper.com/news/charles-saumarez-smith-steps-down-as-senior-director-at-blain-southern
Charles Saumarez Smith has left his post as senior director at Blain Southern after just one year, but will continue to work with the London gallery on “special projects”, he says.
https://www.waterstones.com/book/the-art-museum-in-modern-times/charles-saumarez-smith/9780500022436
The National Portrait Gallery, the National Gallery and the Royal Academy all saw either radical architectural interventions or rethinks of their mission under Charles Saumarez Smith's leadership, making him uniquely qualified to explore the ways in which art museums have changed over the past century and examine where they might be headed in the future.
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