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https://www.italian-renaissance-art.com/The-Medici.html
Giovanni di Bicci de' Medici, (1360–1429) was basically a banker but was also the first of the Medici family to patronise the arts. He aided Masaccio and Brunelleschi by commissioning some of their work. Artists of the time produced works only when they had received advance payments for them.
https://www.history.com/topics/renaissance/medici-family
Oct 22, 2019 · The Descendants of Cosimo de’ Medici Lorenzo was a poet himself, and supported the work of such Renaissance masters as Botticelli, Leonardo da Vinci and Michelangelo (whom the Medicis commissioned...
https://www.vanderbilthistoricalreview.com/post/art-as-power-the-medici-family-as-magi-in-the-fifteenth-century
May 10, 2017 · Often, the Medici would commission the artist to present various family members as the Magi themselves, melding religious history and their contemporary world. This biblical trio was held in high esteem by the family due to the family’s involvement in the confraternity the Compagnia de’ Magi, which was dedicated to the group.
https://courses.lumenlearning.com/suny-hccc-worldhistory/chapter/art-and-patronage/
Lorenzo de’ Medici (1449–1492) was the catalyst for an enormous amount of arts patronage, encouraging his countrymen to commission works from the leading artists of Florence, including Leonardo da Vinci, Sandro Botticelli, and Michelangelo Buonarroti.
https://www.britannica.com/topic/Medici-family
In commemoration of the deaths of Giuliano and Lorenzo, the two who had died relatively young, the family commissioned Michelangelo to complete the famous Medici Tombs in Florence. The few years of this period are often considered to be the apogee of the Medici age. The period has even been called “the century of Leo X.”
https://www.artsy.net/article/artsy-editorial-italian-renaissance-wealthy-patrons-art-power
Aug 20, 2018 · The Medici also commissioned Michelangelo to construct a private chapel in 1520, in addition to the sculptures and paintings that would decorate it. The artist completed tombs and additional statues, though he abandoned the project in 1534 when he fell out of favor with Alessandro Medici, Duke of Florence, and fled the city for Rome (future generations of artisans completed the work).
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