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https://www.cac-accr.ca/publications/the-microscopical-identification-of-artists-pigments/
The characteristics of traditional artists’ pigments are given, and the microanalytical schemes to aid in their identification are presented. Microchemical tests that can be used to confirm the microscopical identifications are also discussed. [ download not available ]
https://www.nga.gov/research/publications/pdf-library/artists-pigments-vol-1.html
Artists’ Pigments: A Handbook of Their History and Characteristics, Volume 1. Robert L. Feller, editor Published 1986 300 pages. This volume describes the history, characteristics, and scientific analysis of 10 pigments that have played a major role in the history of painting.
https://www.mccrone.com/courses/pigment-identification/
This is a course in paint materials identification in paintings and architecture for conservation professionals. The focus of this course is the identification of pigments using polarized light microscopy (PLM). A practical introduction to PLM methods is taught …
https://www.nga.gov/research/publications/pdf-library/artists-pigments-vol-3.html
Artists’ Pigments: A Handbook of Their History and Characteristics, Volume 3. Elisabeth West FitzHugh, editor Published 1997 368 pages. This volume, the third in a series describing the history, characteristics, and scientific analysis of artists’ pigments, covers 10 pigments, from some of the earliest man-made colorants, such as Egyptian blue and gamboge, to the 20th century’s titanium ...
https://www.sciencedirect.com/science/article/pii/S1296207417306544
May 01, 2018 · 3. Pigment identification algorithm. Since the objective of this work is the identification of pigments as an assistance in the art conservation process, the following characteristics of the algorithm were assumed: 1. the objective of the algorithm is to identify the pigments–components in a fully mixed dataset; 2.
http://www.artiscreation.com/Color_index_names.html
The Color Index is an internationally recognized standard of pigment classification. The Color Index generic name uses the pigments basic usage designation and hue plus the a unique pigment serial number (i.e. Pigment Red 102). These generic names are often abbreviated to the colors usage and hue initials, followed by the serial number.
https://www.nist.gov/document/annotated-bibliography-paint-coatingspdf
McCrone, W.C. (1985). The Microscopical Identification of Artists' Pigments. Journal of the International Institute of Conservation-Canadian Group, 7 (1), 11-34. Moenssens, A.A., Inbau, F.E., …
https://www.asteetrace.org/static/images/pdf/05%20Paint%20Daubert%20Final%20-%20Appendix%20A.pdf
W.C. McCrone, “The Microscopical Identification of Artists' Pigments,” Journal of the International Institute of Conservation-Canadian Group, 7 (1), pp. 11-34, 1985. 6.
https://www.academia.edu/10649164/_Not_a_day_without_a_line_drawn_pigments_and_painting_techniques_of_Roman_Artists
Siddall, R., 2006, “Not a day without a line drawn”: pigments and painting techniques of Roman Artists. In Focus Magazine: Proceedings of the Royal Microscopical Society, 2, 18-23.
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