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https://www.jstor.org/stable/pdf/1360652.pdf
The Mulatto as Artist and Image in Colonial Brazil1 TANIA COSTA TRIBE 'Even better, for any line of work, are the mulattoes' (Andre Joao Antonil, 1711).2 'A mulatto girl so beautiful/That from head to toe/She is a picture of Venus/Sketched with the brush.' (Greg6rio de Matos Guerra, 1636-1695).3 The practice of image-making developed slowly in
https://read.dukeupress.edu/hahr/article/54/4/567/151247/Black-and-Mulatto-Brotherhoods-in-Colonial-Brazil
Although the statutes and administration of black and mulatto brotherhoods in colonial Brazil were modelled on their white counterparts, at no time could these brotherhoods match the financial resources of the Third Orders of St. Francis, St. Dominic, and the Carmelites, or even of the parochial brotherhoods of the Santíssimo Sacramento.Cited by: 30
http://eprints.soas.ac.uk/526/
Tribe, Tania (1996) 'The Mulatto as Artist and Image in Colonial Brazil.' Oxford Art Journal, 19 No. pp. 67-79.
https://vistasgallery.ace.fordham.edu/items/show/1903
The portrait was created when don Francisco de Arobe, who is pictured at the center, and his retinue came to Quito in 1599. Two years earlier, Barrio had been instrumental in Arobe’s acceptance of Spanish rule and this painting records his feat. The artist, Andre Sánchez Gallque, was an indigenous man born in Quito and trained to paint by ...
https://en.wikipedia.org/wiki/Pardo
In Brazil, pardo is a race/skin color category used by the Brazilian Institute of Geography and Statistics (IBGE) in Brazilian censuses, with historic roots in the colonial period. The term "pardo" is more commonly used to refer to mixed-race Brazilians, individuals with varied racial ancestries.The other categories are branco ("White"), preto ("Black"), amarelo ("yellow", meaning East Asians ...
https://www.nyu.edu/content/dam/nyu/globalPrgms/documents/buenos_aires/academics/syllabi/AY18-19Accessible/Syl_BuenosAires_ARTH-UA%209850_Gluzman_Fall2019.pdf
Peru, Brazil and ArgentinaWith the alternation of guided visits to museums in . ... Costa Tribe, Tania: “The Mulatto as Artist and Image in Colonial Brazil,” Oxford Art Journal. 19:1 (1996): 67-79. Dean, Carolyn: “Inka Nobles: Portraiture and Paradox in Colonial Peru,” in Donna Pierce (ed.),
https://artblart.com/tag/colonial-brazil/
Posts about Colonial Brazil written by Dr Marcus Bunyan. Photographs: Hermann Kummler (1863-1949) (compiler) ‘Ethnographic portraits of Indigenous women of Pernambuco and Bahia’ 1861-1862
https://utdirect.utexas.edu/apps/student/coursedocs/nlogon/download/1015907/
TRIBE, Tania (1996) “The Mulatto as Artist and Image in Colonial Brazil” Oxford Art Journal, Vol. 19, No. 1, pp. 67-79 Mar 4th discussion on Salvador and Ouro Preto Mar 8th Ouro Preto: 18th century splendor SMITH, Robert (1939) “The Colonial Architecture of Minas Gerais in Brazil”, The Art Bulletin, Vol. 21, No. 2, pp. 110-159.
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