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https://www.ranker.com/list/famous-post-impressionism-artists/reference
Jun 08, 2017 · List of famous Post-Impressionism artists, with images, bios, and information about their notable works. All the greatest artists associated with the Post-Impressionism movement are included here, along with clickable names for more details on that particular painter or sculptor.
https://www.wikiart.org/en/Artists-by-Art-Movement/post-impressionism
The movement was led by Paul Cézanne (known as father of Post-impressionism), Paul Gauguin, Vincent van Gogh, and Georges Seurat . The term Post-Impressionism was first used by art critic Roger Fry in 1906.
https://www.widewalls.ch/magazine/post-impressionist-artists
May 29, 2016 · Born in an aristocratic family and physically disabled due to a genetic disorder, Henri de Toulouse-Lautrec is one of the most famous post-impressionism artists.
https://www.britannica.com/art/Post-Impressionism
The term Post-Impressionism was coined by the English art critic Roger Fry for the work of such late 19th-century painters as Paul Cézanne, Georges Seurat, Paul Gauguin, Vincent van Gogh, Henri de Toulouse-Lautrec, and others.
https://www.sothebys.com/en/art-movements/post-impressionism
Post-Impressionism Characteristics and Style. The artists Paul Cézanne, Paul Gauguin, Georges Seurat and Vincent Van Gogh are virtually metonymous with fin-de-siècle European art, and each represents a discrete strain of Post-Impressionist innovation.
https://www.thoughtco.com/the-post-impressionist-movement-183311
Mar 07, 2019 · The Post-Impressionist Movement Reception. As a group and individually, the Post-Impressionist artists pushed the ideas of the Impressionists in new... The Key Characteristics of Post-Impressionism. The Post-Impressionists were an eclectic bunch of …
https://www.widewalls.ch/magazine/what-is-post-impressionism
May 26, 2016 · Following from the predecessors of the Impressionism movement, Post-Impressionism was the next generation of the avant-garde artists that took a variety of different approaches, but what glued them together was their rejection of the focus on the opticality of the Impressionism movement.
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