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http://lyriktheorie.uni-wuppertal.de/texte/1913_pound2.html
And "this [195] part of the work" is by now "technique". That "dry, dull, pedantic" technique, that all bad artists rail against. It is only a part of technique, it is rhythm, cadence, and the arrangement of sounds. The New Freewoman. Bd. 1, Nr. 10, 1. November 1913, S. 194-195. Gezeichnet: Ezra Pound.
https://www.jstor.org/stable/1208375
Pound over his well-known essay of 1913, "The Serious Artist," will also show that Marsden was Pound's equal in intellectual will. Pound's tangle with Marsden over "The Serious Artist" will clarify why he may have wanted to distort or gloss over the actual lines of
https://www.goodreads.com/quotes/14667-the-serious-artist-must-be-as-open-as-nature-nature
Ezra Pound — ‘The serious artist must be as open as nature. Nature does not give all of herself in a paragraph. She is rugged and not set apart into disc...
https://en.wikipedia.org/wiki/Ezra_Pound
Mar 13, 2002 · Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an expatriate American poet and critic, a major figure in the early modernist poetry movement, and a fascist collaborator in Italy during World War II.His works include Ripostes (1912), Hugh Selwyn Mauberley (1920), and his 800-page epic poem, The Cantos (c. 1917–1962).. Pound's contribution to poetry …
https://www.academia.edu/9845396/_From_Vortex_to_Vorticism_Ezra_Pound_s_Art_and_Science_
The work of a "serious artist," to Pound, is less a matter of blazing, spontaneous inspiration as of sustained, patient, painstaking experiment, much like the systematic work of a scientist: the serious artist "is like a chemist experimenting, forty results are useless, his time is spent without payment, the forty-first or the four hundredth ...
https://www.poetryfoundation.org/poets/ezra-pound
Ezra Pound is widely considered one of the most influential poets of the 20th century; his contributions to modernist poetry were enormous.
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