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http://www.hypocritereader.com/5/beckett-and-failure
Beckett wishes in Three Dialogues “to admit that to be an artist is to fail, as no other dare fail, that failure is his world and the shrink from it desertion, art and craft, good housekeeping, living.” To acknowledge failure is not to be freed from effort, not at all, effort is only human.
https://lithub.com/samuel-beckett-connoisseur-of-artistic-failure/
Apr 13, 2018 · The phrase is Beckett’s sparest articulation of an imperative that held throughout most of his writing life—once he escaped the gravitational pull of James Joyce. For Beckett, to fail better was not so much an inspirational koan as an aesthetic standard.
https://www.jstor.org/stable/10.2979/jmodelite.38.2.117
instruction to himself, “vaguen” (Dukes, 585). 1 Beckett’s interests in the dilemmas of expression can be traced back to his earliest writings, perhaps most famously set forth in his “Three Dialogues” of 1949, where he declared that “to be an art-ist is to fail, as no other dare fail” (125). But, while expressive failure produces a
https://www.enotes.com/topics/samuel-beckett/critical-essays/beckett-samuel-1906-2
Sep 01, 1975 · In Three Dialogues Beckett himself declared that "to be an artist is to fail, as no other dare fail". But there are different kinds and levels of failure. But there are different kinds and levels ...
http://assets.cambridge.org/97805218/29083/excerpt/9780521829083_excerpt.pdf
tense, almost sentimental sort of non-representationality: “to be an artist is to fail, as no other dare fail, that failure is his world”10, thereby promoting the figure of the Suffering Artist from a local or temporary sort of suffer-ing to a permanent state of anguished monumental grandeur, Myself am failure. (b) Voice v. …
https://www.jstor.org/stable/info/25781381
[T]o be an artist is to fail. (Beckett 1965, 103, 125) 2. One element of an art which relegates traditional content to less than second place is the concern with the creation, not representation, of an object. [...] "There is no a priori order of things" (Wittgenstein, 79).1 Form is "the concretion" of content (Beckett in Proust, 67). When in
https://www.irishtimes.com/culture/art-and-design/why-are-artists-intoxicated-with-samuel-beckett-1.3315080
“Everything in Beckett is unambiguous, clear and exhilarating in its depressive,” says artist Brian O’Doherty, whose homage to Beckett, Hello Sam, was first shown at Dublin Contemporary in 2011.
https://www.academia.edu/7912323/beckett_and_others_and_art
[T]o be an artist is to fail. (Beckett 1965, 103, 125) 2.One element of an art which relegates traditional content to less than second place is the concern with the creation, not representation, of an object.
https://www.academia.edu/34577517/Less_is_More_Reductionism_in_Becketts_Plays
In one of his "Three Dialogues" with Georges Duthuit, Beckett declares that "to be an artist means to fail as no other dare fail" 6.Beckett's plays are minimalist. His artistic method tends towards reduction, towards a lessening of every element of the dramatic construction. From its etymological origin the word drama entails action.
https://booksonthewall.com/blog/samuel-beckett-quote-fail-better/
The “fail better” quote was originally published in Samuel Beckett’s short piece of prose entitled Worstward Ho!, his second-to-last work ever published. The full Samuel Beckett quote reads like this (and by “full,” we really mean the part that gets repeated): “Ever tried. Ever failed.
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