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https://tommaakestad.com/biography
Tom Maakestad : Biography Tom Maakestad works and lives in Marine on St. Croix, MN where he has maintained a studio for the past 16 years. The Minneapolis area has been home-base since 1992. Prior to that Tom and his wife Anna lived in Hong Kong for 7 years where they both had busy careers and traveled extensively throughout Asia.
https://www.luther.edu/fine-arts/featuredartists/maakestad/
Tom Andrew Maakestad was born in 1957 and raised in rural Northfield, Minnesota in a family of artists. His father, John, was an artist who taught at St. Olaf College for 37 years. Maakestad graduated from Luther College in 1980 with a BA in art and continued his studies at the Minneapolis College of Art …
https://grovelandgallery.com/artist/tom-maakestad/
Tom Maakestad works and lives in Marine on St. Croix, Minnesota, where he has maintained a studio for the past 16 years. Raised among a neighborhood of farmers and surrounded by a vibrant artistic and intellectual community in Northfield, Minnesota, Tom has always been drawn to the hills and valleys of this lush, Midwestern region.
https://www.tommaakestad.com/oil-pastel-and-painting
Tom Maakestad Art. Part of 2017 “Visions of Flint Hills” Buttonwood Art Space, Kansas City, MO.
https://www.aobfineart.com/artist/tom-maakestad
Tom Maakestad works and lives in Marine on St. Croix, MN where he has maintained a studio for the past 16 years. The Minneapolis area has been home base since 1992. Prior to that Tom and his wife Anna lived in Hong Kong for 7 years where they both had busy careers and …
https://fac.luther.edu/search/index.php/Detail/entities/273
Tom Andrew Maakestad was born in 1957 and raised in rural Northfield, Minnesota in a family of artists. His father, John, was an artist who taught at St. Olaf College for 37 years. Tom graduated from Luther College in 1980 with a B.A. in art and continued his studies at the Minneapolis College of Art and Design.
https://www.artfulhome.com/artist/Tom-Maakestad-Studio/9189
Tom Maakestad Studio "In the early morning or late afternoon I look for expanses and complexities of merging land forms influenced by the light. Seeing is at least half of painting, therefore it is my job to observe my surroundings and fully comprehend the abstract content of a place and make it real.
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