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https://www.ursulayoung.com/about
For the last 10 years Ursula has been the art director for The Sunset Campout: a renowned dance music festival that happens every summer in Northern California with a dedicated following. Originating from the green rural dales of North Yorkshire in the North of England, Ursula has spent much of her time since then traveling and has studied art in New York City, Florence, Vermont, Oslo, and London.
https://ursulaschneider.com/about-ursula
About Ursula. Born in Switzerland. Attended Kunstgewerbeschule in Zurich and Keramischefachschule in Bern; holds Undergraduate Degree in Ceramics from Switzerland. In 1968 she moved to the United States and Graduated in 1972 with an MFA in Painting from the San Francisco Art Institute.
https://www.sfmoma.org/artist/Ursula_von_Rydingsvard/
Sculptor Ursula von Rydingsvard discusses the construction of her monumental work Czara z Babelkami (2006), on view in SFMOMAs fifth-floor sculpture garden. She reflects on how her sculptural practices relate to her family’s history as Polish peasant farmers and World War II refugees, describing a dark past that is still running through her blood.
https://sf.fandom.com/wiki/Street_Art/Ursula_Young
Ursula Xanthe Young is an illustrator, painter and designer in San Francisco known for her unique flowery urban fairytale illustrations. She has also dabbled in street art, with her most famous wall being the one on the corner of Haight and Laguna. Official Website
https://www.printsonwood.com/artists/ursulaxyoung
Ursula X. Young San Francisco-infused whimsical fairytale illustrations and lush brightly colored, flowering, doe-eyed butterfly women are the trademark of Ursula Xanthe Young's work, which has made its way on to everything from apparel, wall murals and restaurant signs, to club flyers, magazine covers and 12" record sleeves.
https://www.sfmoma.org/artwork/2013.169/
0:00 / 5:13. Live. •. Sculptor Ursula von Rydingsvard discusses the construction of her monumental work Czara z Babelkami (2006), on view in SFMOMAs fifth-floor sculpture garden. She reflects on how her sculptural practices relate to her family’s history as Polish peasant farmers and World War II refugees, describing a dark past that is still running through her blood.
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