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https://www.italian-renaissance-art.com/Raphael-Vatican.html
Raphael Vatican. The Vatican Stanze are the apartments of Julius II who gave Raphael complete freedom to fresco the rooms. The rooms had been decorated by several artists previously including, Piero Della Francesca and Luca Signorelli, but Raphael …
http://www.visual-arts-cork.com/history-of-art/renaissance-in-rome.htm
Renaissance Art in Rome Under the Popes (1400-1600) The Genesis Fresco on the ceiling of the Sistine Chapel, in the Vatican. Painted 1508-12 by Michelangelo. • Rome and the Pope • Early Developments • Pope Sixtus IV (1471-84) • Pope Julius II (1503-13) • Pope Leo X (1513-21) • Rome Weakened by Papal Overspending • Pope Paul III (1534-49)
https://www.loc.gov/exhibits/vatican/arch.html
Architects tried to grasp the rules and methods of the Roman builders. When ancient works of art, like the Laocoon, came to light they immediately became famous and influential, finding prominent places in the sculpture collections that adorned the Capitoline hill, the Belvedere court of the Vatican…
https://www.tripsavvy.com/renaissance-and-baroque-artists-of-rome-1547823
Benini also worked on several other fountains in Rome and, in the Vatican City, he is responsible for the bronze canopy in Saint Peter's Basilica. A visit to the Borghese Gallery, a former private villa, is a great way to see a wide variety of Bernini's sculptures, as well as paintings from another famed Baroque artist…
https://www.metmuseum.org/toah/hd/pape/hd_pape.htm
A period of renewed power for the papacy began in the year 1420, when Pope Martin V (r. 1417–31) moved the papal seat back to Rome, following its long “Babylonian Captivity,” when it was based at Avignon, France (1309–77), and after the Great Schism (1378–1417), when several “popes” simultaneously claimed the office. This resurgence continued until 1527, when Holy Roman Emperor ...
https://www.huffpost.com/entry/vatican-paintings-anja-grebe_n_4380487
Walking through the Vatican, or turning the pages of the book, we get an incomparable lesson in the history of art and a profound impression of the skill and passion of the artists, and of their wonderful “force of mind.” — Introduction by Ross King, author of Brunelleschi’s Dome and …
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