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http://www.visual-arts-cork.com/famous-paintings/art-of-painting.htm
Vermeer's answer, like that of other Dutch Realist artists - notably the brilliant interiors artist Samuel van Hoogstraten (1627-78) - was that painting was the equal of any other art, since it was capable of representing all possible visual ideas, and deluding the eye with illusions of depth and colour.
http://www.essentialvermeer.com/cat_about/art.html
It is against the background of this project that we should consider Vermeer's own treatment of The Art of Painting, now in Vienna and often called An Artist in his Studio. Documents tell us that the picture was in the possession of Vermeer's widow after his death …
https://www.thebroad.org/art/malcolm-morley/vermeer-portrait-artist-his-studio
“Vermeer, Portrait of the Artist in his Studio” is a copy of a copy of a painting. Starting with a museum poster of Johannes Vermeer’s The Art of Painting, c. 1666, Malcolm Morley divided the image into smaller sections and then placed the individual sections in an expansive grid across the canvas.
https://www.khm.at/en/visit/exhibitions/2010/vermeer-the-art-of-painting/
Vermeer kept “The Art of Painting” in his studio as a show-piece for potential buyers, and it is regarded as his artistic legacy. There was probably no commission for this large masterpiece, and it never left Vermeer’s studio during his lifetime.
http://www.essentialvermeer.com/catalogue/art_of_painting.html
Although the picture of Vermeer's artist's studio is a far cry from the realistic working conditions of a Dutch painter, the artist nonetheless shares with the modern viewer one of his "trade secrets." Near the top of the canvas the painter has begun depicting the model's laurel wreath in fluid brushstrokes.
https://www.wga.hu/html_m/v/vermeer/03c/25artpa.html
In 1860, the painting was recognized as a Vermeer by Waagen. In the possession of Adolf Hitler after 1938, and hung at his residence in Berchtesgaden. Acquired by the museum in 1946. This painting was long called The Artist in His Studio, and we may in effect …
http://www.ormondfannon.net/media/4384/Picasso%20Vermeer%20analysis.pdf
JAN VERMEER – DUTCH, 17 TH CENTURY/ PABLO PICASSO – SPANISH, 20 TH CENTURY Above: THE STUDIO by Pablo Picasso, 1928 (Collection: Museum of Modern Art, NY) Left: THE ARTIST IN HIS STUDIO by Jan Vermeer, 1665-70 (Kunsthistorisches Museum, Vienna) ARE THE ABOVE ARTWORKS DIFFERENT or SIMILAR? Vermeer: Picasso:
https://poemanalysis.com/christina-rossetti/in-an-artists-studio/
“ In an Artist’s Studio ” by Christina Rossetti describes one artist’s obsession over a particular woman and the way that her face has absorbs his every thought. The poem begins with the speaker describing what the inside of the studio looks like.
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