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https://www.clevelandart.org/art/1971.67
Nov 01, 2018 · The word vesperbild is the German word for pietà, the image of the Virgin Mary cradling her dead son on her lap. The theme has no literary source; it originated in Germany during the early 1300s and Vesperbild (Pietà) Cleveland Museum of Art
https://www.clevelandart.org/art/1938.294
Vesperbild (Pietà) c. 1515-20. Master of Rabenden (German) Germany, Upper Bavaria, 16th century. Lindenwood, polychromed and gilded. ... This anonymous German artist is named after one of his most important works, the high altar of the church of Rabenden …
https://www.metmuseum.org/art/collection/search/470603
New York: The Metropolitan Museum of Art, 2016. no. 25, pp. 15, 96–97. API Access The Met Collection API is where all makers, creators, researchers, and dreamers can now connect to the most up-to-date data and images for more than 470,000 artworks in …
https://www.khanacademy.org/humanities/ap-art-history/early-europe-and-colonial-americas/medieval-europe-islamic-world/a/rottgen-pieta
Art of the Islamic world in the medieval era Arts and humanities · AP®︎/College Art History · Early Europe and Colonial Americas: 200-1750 C.E. · Medieval art in Europe Röttgen Pietà
https://www.comptonverney.org.uk/cv_collections/vesperbild-or-pieta/
This sculpture is one of the earliest objects in this part of the collection. It demonstrates a new way of representing the suffering Christ, who has just been taken down from the cross.
https://scottarthistoryblog.blogspot.com/2011/11/vesperbild.html
Nov 22, 2011 · The piece that I find most intriguing is the sculpture called Vesperbild. It is a mini scuplture of a lifeless jesus and the virgin Mary holding his body in her arms. This piece shows the true emothions of the ordeal that happened after Jesus was crucified. ... The artist tried to show the emotions and feelings felt as a mother lost her child ...
https://smarthistory.org/roettgen-pieta/
Earlier medieval representations of Christ focused on his divinity (left). In these works of art, Christ is on the cross, but never suffers. These types of crucifixion images are a type called Christus triumphans or the triumphant Christ. His divinity overcomes all human elements and so Christ stands proud and alert on the cross, immune to human suffering.
https://sites.google.com/site/adairarthistory/iii-early-europe-and-colonial-americas/62-rttgen-piet
-most of the Pieta statues of the time were from Germany, and the other surviving works are marble, or other stone, making this wooden sculpture all the more unique Function: -The lamentation section of the stations of the Christ, but the scene around it is taken away forcing the viewer to examine emotion
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