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https://vomlehn.files.wordpress.com/2018/08/vom-lehn-tasting-museums-taste-july2016.pdf
Lehn 2013) and how they configure each other’s experience of works of art (vom Lehn and Heath 2016; Heath and vom Lehn 2004). Related video-based studies also have been conducted by Kesselheim (2010, 2012) who is interested in how the material and visual structure of exhibits influences the organisation of people’s encounters with works of art
https://dirkvl.info/professional-magazines/
Art Professional (May) vom Lehn, D. (2015) Being Watched. Art Professional (January). vom Lehn, D., Lewi, H. and Smith, W. (2013) Mobile Guides to Historic Places in Action and Interaction. Museums and Heritage Magazine (December). Webb, H. and D. vom Lehn (2011) Eye contact and gaze in optometry consultations. Optometry Today 51(11): 16-18.
https://www.jasoncleverly.com/pagecv/
D.vom Lehn, J. Cleverly, C. Heath, P. Luff Journal of Visual Communication SSN 1470-3572 2001 Jason Cleverly and the Ghost Ship . Margot Coats S.O.F.A. 2001 Chicago Catalogue.
https://open.spotify.com/artist/0FTocpL2kPCzoImsOALL1e
Mary Kate Vom Lehn, Category: Artist, Top Tracks: The First Voices, Monthly Listeners: 1, Where People Listen: Sundsvall We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes.
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