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https://www.moma.org/audio/playlist/21/427
So I asked around, and I found out that the Artist Pension Trust—I will refer to it as "APT" from now on—I find out that the Artist Pension Trust was started in 2004 by two men. The first is a businessman, an entrepreneur whose name is Moti, or Mordechai Shniberg.
https://www.walidraad.com/
Walid Raad is an artist whose works include photography, video, mixed media installations, and performances. Raad teaches in The Cooper Union in New York (USA), and in Ashkal Alwan's Home Workspace in Beirut (Lebanon).
https://adrastuscollection.org/walid-raad-2/
Fact and fiction fuse in order to tell the story of the Artists Pension Trust (APT), a real organization that has sought to develop a data-driven financial model for speculation in the art markets. Initially, the audience is confronted with a projected diagram that includes Alfred H. Barr’s famous sketch of the development of modern art, and locates the APT within the historical genealogy of the MoMA itself.
https://theseenjournal.org/walid-raad-moma/
Over the course of thirty-five minutes, the charismatic artist paces around the gallery describing his findings over the past eight years, beginning with an investigation of the Artist Pension Trust, or APT. Raad first stands in front of a large wall covered in arching info-graphics, including lists of names, cut out faces and faces cut out, with a projector highlighting details and overlaying infomercial imagery.
https://www.thecrimson.com/article/2012/3/6/walid_raad/
Other stories about the Artist Pension Trust, “the most beautiful man [Raad] had ever seen,” disappearing colors of the future, and invisible art works bewitch the audience.
http://www.randian-online.com/np_review/truth-or-fiction-does-it-matter-walid-raad-at-moma/
“Translator’s Introduction: Pension arts in Dubai” displays Raad’s research into the Artist Pension Trust (APT), a private art investment company. Snaking notes drawn and printed on the wall create the image of contemporary capital—omnipresent, impossible to trace.
https://www.e-flux.com/journal/69/60594/walid-raad-s-spectral-archive-part-i-historiography-as-process/
Origin stories are purposefully obscured in all of Raad’s work, but one impetus for Scratching on things I could disavow appears to have occurred in 2007 when Raad was asked to join the Artist Pension Trust—an entrepreneurial retirement plan for artists. Curious as much about the economics of the plan as he was about the two hundred and fifty artists from the Middle East who had been invited to participate, Raad …
https://www.e-flux.com/journal/48/60038/walkthrough-part-i/
So I asked around and found out that The Artist Pension Trust—which I will refer to as “APT” from now on—was started in 2004 by two men. The first is a businessman, an entrepreneur whose name is Moti or Mordechai Shniberg.
https://aperture.org/editorial/lecture-performance/
Dec 09, 2015 · It begins with an exposé of the Artist Pension Trust, an investment fund for artists; tunnels into the Israeli high-tech industry, data mining, and the algorithms turning seemingly irreducible works of art into tradable financial assets; and then jumps headlong into the future, to the opening of the Guggenheim Abu Dhabi, vaguely a decade from now, when an unnamed Arab artist will find himself …
https://www.haaretz.com/life/.premium-lebanese-artists-moma-work-ties-idf-to-big-art-money-1.5396706
Jan 28, 2016 · The trust’s deal with the artists is that they give it one work a year, with which APT can do as it pleases: show it, store it or sell it. If the trust chooses to sell the artwork, it keeps a third of the profit, gives the artist a little over a third, and divides the rest among the other 249 artists in …
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