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https://www.cnn.com/style/article/depicting-war-through-art/index.html
Apr 02, 2018 · War is the most destructive activity known to humanity. Its purpose is to use violence to compel opponents to submit and surrender.In order to understand it, artists …Estimated Reading Time: 8 mins
https://www.bbc.com/culture/article/20210223-the-artists-who-outwitted-the-nazis
Feb 24, 2021 · In time of war, artists traditionally had a minor part to play. But from World War One onwards, armies realised the benefit of artists' knowledge of visual illusionism. In the new age of aerial ...
https://press.uchicago.edu/ucp/books/book/distributed/W/bo27432765.html
The book investigates broad patterns as well as specific genres and themes of war art, and features more than 400 color illustrations by artists including Paul Nash, Judy Chicago, Pablo Picasso, Melanie Friend, Marc Chagall, Francis Bacon, Käthe Kollwitz, Joseph Beuys, Yves Klein, Robert Rauschenberg, Dora Meeson, Otto Dix, and many others.
https://www.tate.org.uk/art/art-terms/w/war-artists
War artists First World War. During the First World War, two main streams of activity produced official war art. The Imperial War... Second World War. During the Second World War a more structured approach to official picture collecting was taken when... Later conflicts. The Imperial War Museum ...Estimated Reading Time: 2 mins
https://www.metmuseum.org/blogs/now-at-the-met/2017/world-war-i-and-the-visual-arts-introduction
Oct 16, 2017 · While some artists, such as George Grosz—who had long rejected militarism and nationalist sentiment—rejected the war from the beginning yet were conscripted into service, and others, such as Ernst Ludwig Kirchner, "involuntarily voluntarily" enlisted with the goal of gaining some control over their placement, many more figures, including Max Beckmann and Otto Dix, enthusiastically …
http://www.metmuseum.org/connections/war_and_conflict
Jun 22, 2015 · You can use art for propaganda purposes, and art can glorify war, but at the same time it can relate some of the horrors. The danger is of course that you fall back into the safety again, that you look at the horrors and you take on the position of a voyeur, but that is
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