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Copyright law of the United States - Wikipedia

    https://en.wikipedia.org/wiki/Copyright_law_of_the_United_States
    The Copyright Act, § 103, allows copyright protection for "compilations", as long as there is some "creative" or "original" act involved in developing the compilation, such as in the selection (deciding which facts to include or exclude), and arrangement (how facts …

Chapter 1 - Circular 92 U.S. Copyright Office

    https://www.copyright.gov/title17/92chap1.html
    (vii) phonorecords of the sound recording have been distributed to the public under the authority of the copyright owner or the copyright owner authorizes the transmitting entity to transmit the sound recording, and the transmitting entity makes the transmission from a phonorecord lawfully made under the authority of the copyright owner, except that the requirement of this clause shall not apply to a retransmission of a broadcast transmission by a transmitting …

Copyright, Moral Rights & Performers' Rights in Music ...

    https://musiciansunion.org.uk/working-performing/recording-and-broadcasting/copyright-for-performers-in-a-sound-recording
    Copyright is the right to prevent copying so the owner of copyright can prevent others copying their work without their permission. In the UK, the Copyright Designs and Patents Act 1988, as amended, (“the Act”), gives creators further important rights over their creations, including five primary infringements of copying, which are:

Circular 56 Copyright Registration for Sound Recordings

    https://www.copyright.gov/circs/circ56.pdf
    What is a Sound Recording? The Copyright Act defines sound recordings as “works that result from the fixation of a series of musical, spoken, or other sounds but not including sounds accompanying a motion picture or other audiovisual work.” Generally, a sound recording is a recorded performance, often of another work.File Size: 99KB

17 U.S. Code § 114 - Scope of exclusive rights in sound ...

    https://www.law.cornell.edu/uscode/text/17/114
    Jan 01, 1995 · The exclusive right of the owner of copyright in a sound recording under clause (2) of section 106 is limited to the right to prepare a derivative work in which the actual sounds fixed in the sound recording are rearranged, remixed, or otherwise altered in sequence or quality. The exclusive rights of the owner of copyright in a sound recording under clauses (1) and (2) of section …

THE COPYRIGHT ACT

    http://www.jipo.gov.jm/sites/default/files/PDF_Files/CopyrightAct.pdf
    COPYRIGHT 1 19. Recording of broadcasts and cable programmes by educational establishments. 120. Acts done to performance or recording for Parliamentary proceedings, etc. 12 1. Transfer of recording of performance in electronic form. 122. Use of recordings of spoken words. 123.

Owning Your Master Rights Retaining Music Master ...

    https://blog.discmakers.com/2013/04/retaining-your-master-rights-smart-business/
    Apr 16, 2013 · Owning your master rights is one record deal point you can’t afford to ignore. For decades, artists who signed a record deal with a label were expected to turn over the master rights to their sound recordings – the actual studio/live recordings of their material. This is often confused with general song copyright ownership. As part of a typical record deal, relinquishing your music’s “master …

Copyright Act

    https://laws-lois.justice.gc.ca/eng/acts/C-42/FullText.html
    Marginal note: Term of copyright — sound recording (1.1) Subject to this Act, copyright in a sound recording subsists until the end of 70 years after the end of the calendar year in which the first fixation of the sound recording occurs. However, if the sound recording is published before the copyright expires, the copyright continues until ...

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