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https://www.ehow.com/facts_4897120_techniques-used-renaissance-art.html
Fresco technique was a holdover from medieval painting that was widely used to decorate Renaissance churches, public buildings and villas -- Leonardo's "Last Supper," created on a refectory wall in Milan, is an experiment with true fresco form.
https://study.com/academy/lesson/materials-techniques-of-renaissance-art.html
May 13, 2015 · Here is an example of a thesis statement: Renaissance artists used and developed many different techniques, including foreshortening, sfumato, and chiaroscuro. …
https://www.nga.gov/conservation/science/16th-century-pigments.html
16th-Century Renaissance Pigments and Painting Techniques Venetian colore, or color, is admired for its sheer brilliance and bravado. Artists, called figurers, were part of a larger industry of color that thrived in Venice. Dyers, glassmakers, tailors, and decorators of furniture and ceramics all employed bright colors.
http://www.italianrenaissance.org/painting-techniques-of-the-renaissance-2/
Oil paints also offered artists the ability to paint with a greater variety of colors that they could with other paint types, which allowed them to depict the human figure, architecture, and the natural environment in more and more realistic visual terms. ... "Painting Techniques of the Renaissance," in ItalianRenaissance.org, July 18, 2012 ...
https://www.italian-renaissance-art.com/Painting-Techniques.html
Wall painting was very popular in the renaissance era and fresco was the standard method of decoration. The area to be painted was first covered with an underlayer of plaster named the arriccio. Often the artists would sketch their compositions on this underlayer in a red pigment called sinopia.
https://www.historycrunch.com/renaissance-art-and-artists.html
Furthermore, Renaissance artists such as Leonardo da Vinci and Michelangelo pioneered new skills and techniques, such as linear perspective, that allowed them to portray people and the world in news ways. Perspective refers to the artistic technique of showing depth and dimension in a painting.
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