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http://xroads.virginia.edu/%7EMA01/Lisle/30home/modern/modern.html
As such, the biomorphism was a machine aesthetic for how it was produced, not necessarily how it appeared. In terms of domestic architecture, the biomorphic label might be tangentially applied to Frank Lloyd Wright, for his arguments for the use of materials in their nearly natural conditions and his insistence on "organic" design.
https://hyperallergic.com/391612/fernand-leger-centre-pompidou-metz/
Jul 24, 2017 · He did not mock the machine the way Marcel Duchamp did with his onastic “ Chocolate Grinder (No. 1) ” (1913) or in the numerous psychosexual examples from …Author: Joseph Nechvatal
https://www.britannica.com/biography/Marcel-Duchamp
There was no question that as a painter Duchamp was on a footing with the most gifted. What he lacked was faith in art itself, and he sought to replace aesthetic values in his new world with an aggressive intellectualism opposed to the so-called common-sense world.
https://www.moma.org/learn/moma_learning/themes/dada/marcel-duchamp-and-the-readymade/
Art that emerged in the late 1960s, emphasizing ideas and theoretical practices rather than the creation of visual forms. In 1967, the artist Sol LeWitt gave the new genre its name in his essay “Paragraphs on Conceptual Art,” in which he wrote, “The idea itself, even if not made visual, is as much a work of art as any finished product.” .” Conceptual artists used their work to ...
https://arthistoryunstuffed.com/futurism-and-the-future/
Apr 01, 2011 · In addition to the impact of technology, Marinetti was interested in the connection between vision and touch, which he understood to be co-extensive. The machine was the aesthetic and psychological model for the Futurists, for it was the machine that had created a new civilization and the artists had the task of responding to this new force.
https://www.amazon.com/High-Techne-Technology-Aesthetic-Posthuman/dp/0816633568
High Techne: Art and Technology from the Machine Aesthetic to the Posthuman [Rutsky, R.L.] on Amazon.com. *FREE* shipping on qualifying offers. High Techne: Art and Technology from the Machine Aesthetic to the PosthumanReviews: 1
https://hyperallergic.com/588018/the-surrealist-roots-of-the-vaporwave-genre/
Sep 17, 2020 · Among the artists included in that movement , Yves Tanguy (1900-1955) is certainly the painter whose work most influenced the aesthetic of the group and indirectly affected vaporwave art.
https://www.britannica.com/art/Aestheticism
Aestheticism, late 19th-century European arts movement which centred on the doctrine that art exists for the sake of its beauty alone, and that it need serve no political, didactic, or other purpose. The movement began in reaction to prevailing utilitarian social philosophies and to what was
https://www.theguardian.com/artanddesign/2011/mar/26/aestheticism-exhibition-victoria-albert-museum
Mar 26, 2011 · The aesthetic movement stood in stark and sometimes shocking contrast to the crass materialism of Britain in the 19th century. "Art for art's sake" was its battle cry, a slogan that originated ...
https://v2.nl/events/machine-aesthetics
The program series "Machine Aesthetics" reflect on the possibility of a new aesthetics of the machine. Does digital technology make it possible for the machine to develop aesthetic behavior, to create art, and to become an autonomous agent? How can we live in a world of intelligent machines, and how can machines live in a world of intelligent men?
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