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https://en.wikipedia.org/wiki/Apollonian_and_Dionysian
The Apollonian and the Dionysian are philosophical and literary concepts represented by a dichotomy, or dialectic, between the figures of Apollo and Dionysus from Greek mythology.Its popularization is widely attributed to the work The Birth of Tragedy by Friedrich Nietzsche, though the terms had already been in use prior to this, such as in the writings of poet Friedrich Hölderlin, historian ...
https://www.sparknotes.com/philosophy/nietzsche/section1/
Summary. Artistic creation depends on a tension between two opposing forces, which Nietzsche terms the “Apollonian” and the “Dionysian.” Apollo is the Greek god of light and reason, and Nietzsche identifies the Apollonian as a life- and form-giving force, characterized by measured restraint and detachment, which reinforces a strong sense of self.
http://faculty.fiu.edu/~harrisk/Notes/Aesthetics/Apollonian-%20Dionysian%20Dichotomy.htm
Zeus), each was Divine, and curiously each was a musician- Apollo the Lyre and Dionysus the Flute. Similarly, Nietzsche sees the Dionysian consciousness as crucial to artistic creation. He refers to those who would condemn the ecstatic celebrations of St. Johnand St. Vitusin
https://fnietzsche.com/friedrich-nietzsche-apollonian-and-dionysian
Apollonian and Dionysian The Apollonian and Dionysian is a philosophical concept, or dichotomy, based on certain features of ancient Greek mythology: Apollo and Dionysus. While the concept is famously related to The Birth of Tragedy, poet Hölderlin spoke of them before, and Winckelmann talked of Bacchus.One year before the publication of The Birth of Tragedy, Nietzsche wrote a fragment titled ...
https://fnietzsche.com/apollonian-and-dionysian-german-philosophy
The Dionysian magnifies man, but only so far as he realizes that he is one and the same with all ordered human experience. The godlike unity of the Dionysian experience is of utmost importance in viewing the Dionysian as it is related to the Apollonian because it emphasizes the harmony that can be found within one's chaotic experience.
https://the-artifice.com/the-lego-movie-apollonian-dionysian/
Feb 27, 2014 · In The Birth of Tragedy, German philosopher Friedrich Nietzsche discusses two artistic impulses: the Apollonian (named for Apollo, the god of the sun) and the Dionysian (named for Dionysus, the god of wine and revelry). The Apollonian impulse is one toward rational order, stasis, and restraint.
https://theoxfordphilosopher.com/2014/08/25/the-dionysian-and-the-apollonian-in-nietzsche-the-birth-of-tragedy/
Aug 25, 2014 · Alexander Gatherer Cardiff University * The opposing concepts of the Dionysian (hereon DI) and Apollonian (hereon AP) are central themes within Nietzsche’s first major work, The Birth of Tragedy (hereon BT).His contemplation of such opposing forces of nature are primarily used to analyse Greek culture in general, and Greek art in particular, stating that its role in Greek attic tragedy ...
https://www.thefreedictionary.com/Apollonian+and+Dionysian
Apollonian and Dionysian synonyms, Apollonian and Dionysian pronunciation, Apollonian and Dionysian translation, English dictionary definition of Apollonian and Dionysian. adj. 1. ... Indeed, it should be stressed here that, contrary to what is often assumed about Nietzsche, genuinely artistic creation is always a selfless or "egoless" activity ...
https://en.winesinfo.com/html/2010/8/198-33551.html
In China, the Dionysian spirit to Taoist philosophy as the source. Zhuang things I advocate the unity of Heaven, Qi Yisheng death, the pursuit of absolute freedom, Cyril, and forget the life and death, honor, is the essence of Dionysian spirit. Drunken obtained free state of art, which is bound free ancient Chinese artists were an important ...
https://www.academia.edu/12322941/_Socrates_and_the_Narrative_Art_of_Self_Care_An_Apollinian_and_Dionysian_Synthesis_in_Socrates_and_Dionysius_Philosophy_and_Art_in_Dialogue_Ed_Ann_Ward_Cambridge_Cambridge_Scholars_Press_2013_138_158
For example, Philosophy and the Tragic Age of the Greeks is filled with laudatory language about the early Greek philosophers. While Nietzsche does not employ the terms of Apollonian and Dionysian in this work, he does use the metaphors of health, sickness, and artistic creation. Some examples follow.
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