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Sep 13, 2017 · The most famous American realist painter, Edward Hopper has been said to have painted a more revealing portrait of twentieth-century America than any other artist. His masterpiece Nighthawks is one of the most recognizable paintings in the history of American art. Masterpiece: Nighthawks (1942) Nighthawks (1942) – Edward Hopper
https://www.theartstory.org/movement/realism/
Édouard Manet was a French painter and a prominent figure in the mid-nineteenth-century Realist movement of French art. Manet's paintings are considered among the first works of art in the modern era, due to his rough painting style and absence of idealism in his figures.
https://www.wikiart.org/en/artists-by-art-movement/realism
Equally, 19th-century Realism art movement painters such as Gustave Courbet are by no means especially noted for precise and careful depiction of visual appearances; in Courbet's time that was more often a characteristic of academic painting, which very often depicted with great skill and care scenes that were contrived and artificial, or imagined historical scenes. It is the choice and treatment of subject …
http://www.visual-arts-cork.com/history-of-art/realist-artists.htm
The term Realismwas adopted by the great French painter Gustave Courbet(1819-77) in 1855 to encapsulate a style of paintingwhich emerged in France after the Revolution of 1848. At the time, the main style was Romanticism- style of art characterized by …
https://www.ranker.com/list/famous-realism-artists/reference
Jun 14, 2019 · Winslow Homer (February 24, 1836 – September 29, 1910) was an American landscape painter and printmaker, best known for his marine subjects. He is considered one of the foremost painters in 19th-century America and a preeminent figure in American art. Largely self-taught, Homer began his career working as a commercial illustrator.
https://www.britannica.com/art/realism-art
Gustave Courbet was the first artist to self-consciously proclaim and practice the realist aesthetic. After his huge canvas The Studio (1854–55) was rejected by the Exposition Universelle of 1855, the artist displayed it and other works under the label “Realism, G. Courbet” in a specially constructed pavilion.
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