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https://www.billreidgallery.ca/pages/about-bill-reid
Bill Reid infused Haida traditions with his own modernist aesthetic to create both exquisitely small as well as monumental work that captured the public's imagination, and introduced a timeless vocabulary to the modern world. Reid became a pivotal force in building bridges between Indigenous people …
https://www.thecanadianencyclopedia.ca/en/article/william-ronald-reid
Bill Reid was a renowned and well-respected artist who helped bring attention to Haida art and Northwest Coast Indigenous art, more broadly. Reid was also an eloquent and outspoken proponent of Indigenous rights in Canada. He was especially active in the battle to preserve the national and cultural history of South Moresby in Haida Gwaii.
https://www.historymuseum.ca/cmc/exhibitions/aborig/reid/reid02e.html
"When Bill Reid began his exploration of Northwest Coast art, he did so as a 'white man' investigating a set of formal design problems. Over the years, perhaps inevitably, his success in unlocking the principles of Coast Indian art have progressively unlocked the Indian in Bill Reid himself."
https://bill-reid.weebly.com/
William (Bill) Ronald Reid was born in Victoria B.C (January 12 1920 - March 13 1998). His mother was Haida, and his father american. Bill was only a teenager when he knew of his mother native heritage. In 1948 Reid studied jewellery and engraving at the Ryerson Institute in Toronto. In 1968 Reid continued his studies at the Central School of Art and Design in London Once he returned to Vancouver, Reid …
https://www.thecanadianencyclopedia.ca/en/article/reid-controversy
Being led to believe that an artist personally created a piece when in fact it was carved by someone else is also a grey area. In that case, noted Korper, the matter could end up in court - "if you were led to believe it was a Bill Reid by Bill Reid's hand." Hart also says he salvaged another valuable Reid boxwood carving: a 10-cm killer whale.
http://www.billreidfoundation.ca/banknote/raven.htm
Some of the humans were hesitant at first, but they were overcome by curiosity and eventually emerged from the partly open giant clamshell to become the first Haida. Bill Reid had worked with the old Haida myth in the 1950s with a silver bracelet and earrings, then again in 1970 when he carved a small (8.9 cm high) boxwood depiction.
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