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https://www.artgallery.nsw.gov.au/collection/artists/cossington-smith-grace/
It was upon her return to Sydney when she returned to Dattilo Rubbo’s classed that she studied European modern art alongside Roland Wakelin and Roy de Maistre, through colour reproductions brought back from Europe by Dattilo Rubbo and fellow student Norah Simpson. Soon after, Cossington Smith painted The sock knitter 1915. Characterised by flattened pictorial space and the use of …
http://adb.anu.edu.au/biography/smith-grace-cossington-8469
Dec 20, 1984 · At the same time, at her mother's suggestion, Grace became Grace Cossington Smith, the working name for a dedicated professional artist. Members of her family's comfortable suburban milieu might have perceived her as a ladylike amateur; her fellow modernist painters, especially Roland Wakelin and Roy de Maistre , greatly respected her art.
https://www.daao.org.au/bio/grace-cossington-smith/biography/
A student of Dattilo Rubbo, Cossington Smith was quick to absorb modernist ideas and in 1915 exhibited 'The Sock Knitter', described by Daniel Thomas as 'perhaps the first fully Post-Impressionist work painted in Australia'. Biographical Data b. 20 April 1892 Neutral Bay, Sydney, NSW. Biography 1 biography.
https://www.ngv.vic.gov.au/school_resource/art-start/image-bank/grace-cossington-smith/
‘Grace Cossington Smith was one of many artists who closely observed and recorded the construction of Sydney Harbour Bridge, which was considered one of the world’s great engineering feats’ (NGV touchscreen 2002–2003). The artist began sketching the bridge from Milsons Point in 1927, braving ...
https://www.artgallery.nsw.gov.au/blog/posts/macquarie-galleries-mystery/
Cossington Smith was 85 at the time of the theft and had lived most of her life in her family home at Turramurra on Sydney’s North Shore. Though she led a secluded, suburban existence, by the 1970s she was nonetheless recognised as one of the first artists to bring modernism to Australia, and her 1915 painting The sock knitter had been acclaimed as the first ‘post-impressionist’ painting ...
https://nga.gov.au/exhibition/cossingtonsmith/detail.cfm?IRN=130994&BioArtistIRN=16350&MnuID=6&Activity=2
Grace Cossington Smith was born into a devoutly Anglican family. Both of her parents were born in England and the Smiths had many relatives living there. In 1890 Ernest Smith, a solicitor, married the beautiful and musical Grace Fisher, whose father was a clergyman. The family was relatively affluent.
https://www.artgallery.nsw.gov.au/collection/works/OA8.1967/
A brilliant colourist, Cossington Smith’s work of the early 1920s adopts a darker palette than the vivid colours she is usually associated with. Inspired by a visit to Sydney in 1920 by the tonalist painter and teacher Max Meldrum, her paintings became studies in tone, rather than colour, a practice she had abandoned by 1925.
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