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https://www.khanacademy.org/humanities/renaissance-reformation/early-renaissance1/beginners-renaissance-florence/a/early-applications-of-linear-perspective
Representing the Body What renaissance artists had clearly achieved through the careful observation of nature, including studies of anatomical dissections, was the means to recreate the 3-dimensional physical reality of the human form on two-dimensional surfaces.
https://www.britannica.com/art/linear-perspective
The theory of linear perspective, the brainchild of the Florentine architect-engineers Filippo Brunelleschi (1377–1446) and Leon Battista Alberti (1404–72) and their followers, was to help remake geometry during the 17th century. The scheme of Brunelleschi and Alberti, as given without proofs in Alberti’s…
https://useum.org/Renaissance/Perspective
Linear perspective is a mathematical system used to create the illusion of space and distance on a flat surface. To properly use the linear perspective a painter has to imagine the canvas as an "open window" through which he sees the subject of the painting.
http://headforart.com/2016/07/01/linear-perspective/
Jul 01, 2016 · Linear perspective was revolutionary because it created an illusion of space from a single, fixed viewpoint (which fed nicely into the renewed focus on the individual that formed a key part of Renaissance thinking).
http://www.webexhibits.org/sciartperspective/raphaelperspective1.html
In the rest of the century following Masolino’s breakthrough, almost all Renaissance artists turned to the use of perspective to enhance their compositions, notably Masaccio, Mantegna, Fra Angelico and Leonardo. The Renaissance use of perspective reached its apogee at around 1500, as represented by the incandescent work of Raphael.
http://www.howtodrawjourney.com/filippo-brunelleschi.html
I say “rediscovered”, because before the Early Renaissance the Ancient Greeks and Romans associated the discipline with Euclidean science of optics and indeed practiced it. With the coming of the Middle Ages and the rising influence of the Church, however, this knowledge was lost, for linear perspective is based on the idea of a single spectator with a single viewpoint - medieval ecclesiastics …
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