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https://www.britannica.com/biography/Masaccio
Masaccio, byname of Tommaso di Giovanni di Simone Cassai, (born December 21, 1401, Castel San Giovanni [now San Giovanni Valdarno, near Florence, Italy]—died autumn 1428, Rome), important Florentine painter of the early Renaissance whose frescoes in the Brancacci Chapel of the Church of Santa Maria del Carmine in Florence (c. 1427) remained influential throughout the Renaissance.
https://www.nationalgallery.org.uk/artists/masaccio
Masaccio was the most revolutionary painter of the Early Renaissance. The Virgin and Child in the National Gallery is the central fragment of one of his most important works, a polyptych made at the age of 25 for the church of the Carmine in Pisa. Masaccio is recognised as one of the founders of the Florentine school of art.
https://mymodernmet.com/masaccio-renaissance-painter/
May 17, 2020 · Among these creative pioneers was the artist known as Masaccio (1401-1428) who, along with his contemporaries, paved the way for later Renaissance art. His use of linear perspective and the vanishing point, as well as his acute attention to realism, …
http://www.experts123.com/q/why-is-the-italian-artist-masaccio-1401-1428-important.html
Apr 26, 2017 · Masaccio may have been the first Italian artist since the Roman era to correctly use one point perspective in a painting. He was also innovative in that he used directional lighting in his paintings to give the illusion of shadow on the figure, giving his scenes and figures unprecedented weight and naturalism. 9.
https://www.italian-renaissance-art.com/Masaccio.html
Masaccio was one of the first artists to use a vanishing point in his work employing the use of scientific perspective in his paintings. The first work attributed to him is the San Giovenale Triptych for the church of Cascia di Reggello near Florence.
http://www.masaccio.net/biography/
The artist arose in the 15th century as a fresco artist who created Florentine paintings throughout chapels across Italy. While the artist's career only last six years, Masaccio was able to leave his print of the Brancacci Chapel of Santa Maria del Carmine in Florence, and within an array of churches in Pisa.
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