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https://www.biography.com/artist/titian
Jul 09, 2020 · He painted "Assumption of the Virgin" (1516-1518) for the church's high altar, a masterwork that helped establish Titian as one of the leading painters in …
https://mymodernmet.com/titian-paintings/
Jan 05, 2020 · Since Titian was born into the Republic of Venice, he was naturally schooled into the Venetian style. However, it was through Titian's artistic talents and mastery of color that Venetian painting developed into the more dominant, popular style within Italy and inspired the later emergence of Baroque art. Titian, “Bacchus and Ariadne,” 1520-23.
http://www.visual-arts-cork.com/history-of-art/titian-venetian-colour.htm
of Titian's colour harmonies confirms what Hetzer says, and shows that Titian achieves through colour a harmonious but active balance of opposing forces in a manner strictly comparable to what Raphael(1483-1520) achieved through form. Moreover, in the attitude towards colour that the Renaissance inherited from antiquity and the Middle Ages there
http://www.visual-arts-cork.com/old-masters/titian.htm
Carrara, Bergamo). Already an obvious sensitivity to effects of space and colour is visible, alien to Giorgione, and Titian can be seen exploring new themes and the 'constructive' use of colour. From this first period also date a Circumcision(Yale University Art Gallery, New Haven),
http://www.metmuseum.org/TOAH/HD/tita/hd_tita.htm
Titian is known above all for his remarkable use of color; his painterly approach was highly influential well into the seventeenth century. Titian contributed to all of the major areas of Renaissance art, painting altarpieces, portraits, mythologies, and pastoral landscapes with figures.
https://www.nga.gov/features/slideshows/titian-and-the-late-renaissance-in-venice.html
Perhaps one of the artist's favorite works, this canvas remained in Titian's studio until his death, and it inspired numerous copies and variations. Due to the painting's superior quality, this is the only version that is universally recognized to be entirely the product of Titian's hand alone without contributions from other painters working ...
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