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https://www.williamejones.com/pages/biography
William E. Jones is an artist, filmmaker, and writer. He has made the experimental films Massillon(1991) and Finished(1997), videos including The Fall of Communism as Seen in Gay Pornography(1998), the documentary Is It Really So Strange? (2004), and many other works, including the essay film Fall into Ruin(2017), about the Greek art dealer Alexander Iolas (1907-1987) and his abandoned house in …
https://www.foundationforcontemporaryarts.org/recipients/william-e-jones
Dec 14, 2012 · William E. Jones is an artist, experimental filmmaker, and writer whose practice involves appropriating and recontextualizing imagery from archival material. His work is highly researched and tackles a range of topics including gay subcultures, the production and counterfeiting of currency, and the materiality of film and photography as mediums.
https://www.themoderninstitute.com/artists/william-e-jones/about/
William E. Jones Born 1962, Canton, Ohio; Lives in Los Angeles.
http://origin.www.davidkordanskygallery.com/artist/william-e-jones
William E. Jones For over three decades William E. Jones (b. 1962, Canton, Ohio) has been producing films, videos, photographs, and books that re-examine existing cultural materials. While some of his sources are images and texts housed in archives, he is equally at home out in the world taking pictures and conducting interviews.
https://raffaellacortese.com/artist/william-e-jones/
William E. Jones was born in 1962 in Canton (OH). He lives and works in Los Angeles. Jones’ work is characterized by the study of archival material. Over the course of three decades he has created films, videos, photographs and written books that are all able to reorganize existing cultural materials.
http://www.artnet.com/artists/william-e-jones/
View William E. Jones’s artworks on artnet. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices.
https://www.artspace.com/artist/william-e-jones
Filmmaker William E. Jones edits together sequences from vintage 1970s and 1980s gay porn to create a discursive arena in which to consider the desires implicit in sexual imagery. His short films are at once explorations of the complexities of homosexual identity and nostalgic recollections of an erstwhile gay culture drastically altered since the onset of AIDS.
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