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kittoe contemporary - WILLIAM PACKER

    https://www.kittoecontemporary.com/artists/william-packer
    Two and Three-man shows at Cadogan Contemporary, Piers Feetham, The Chapel Row Gallery (variously with Giles Auty, William Feaver and Ian Potts). Works owned by the National Portrait Gallery, Sheffield City Art Galleries and many private collectors. Art critic with the Financial Times 1974-2004. Innumerable introductions to exhibition ...

WILLIAM PACKER - kittoe contemporary - Kettle

    https://www.kittoecontemporary.com/artists/william-packer/kettle
    WILLIAM PACKER. Kettle. 2000, collage on card, 19 x 13cm, ... William also produces collages which hark back to his early Pop-Art days, torn and cut paper scraps arbitrarily cropped and fraught with surrealist possibility when brought together. ... Art critic with the Financial Times 1974-2004. Innumerable introductions to exhibition catalogues ...

William Packer Archives - Standpoint

    https://standpointmag.co.uk/tag/william-packer/
    The gallery is hosting a major retrospective of her work to coincide with the publication of her biography by William Packer, artist and former art critic of the Financial Times. “Don’t be afraid to speak up because my hearing is not all that good,” Frederic says with a …

WILLIAM PACKER - kittoe contemporary

    https://www.kittoecontemporary.com/artists/william-packer/across-the-valley-domo-marche
    Two and Three-man shows at Cadogan Contemporary, Piers Feetham, The Chapel Row Gallery (variously with Giles Auty, William Feaver and Ian Potts). Works owned by the National Portrait Gallery, Sheffield City Art Galleries and many private collectors. Art critic with the Financial Times 1974-2004. Innumerable introductions to exhibition ...

William Packer NEAC Hon RBA Hon PS Mall Galleries

    https://www.mallgalleries.org.uk/artist/william-packer-neac-hon-rba-hon-ps
    Nov 26, 2020 · Though William has long worn two hats, as a painter and a critic, he has always hoped that it would be the painting, seen from an active and practical view, that would inform his writing, rather than the other way round. For a while William's works flirted with abstraction, but there was always a feeling of landscape to it.

WILLIAM PACKER - kittoe contemporary - Clapham Rose

    https://www.kittoecontemporary.com/artists/william-packer/clapham-rose
    Artists About. Subscribe. Events. More. WILLIAM PACKER. Clapham Rose. 1984, oil on board, 26 x 33cm. £950 ... WILLIAM PACKER. Clapham Rose. 1984, oil on board, 26 x 33cm ... Art critic with the Financial Times 1974-2004. Innumerable introductions to exhibition catalogues, newspapers, journals and magazines. ...

William Packer - Thames & Hudson

    https://thamesandhudson.com/authors/william-packer-17308
    William Packer William Packer writes for the Financial Times where he was principal art critic until 2004. He trained as a painter at Wimbledon School of Art and has continued as a painter, first exhibiting at the Royal Academy in 1963. Books by William Packer

My paintings Art UK

    https://artuk.org/discover/stories/my-paintings
    Jul 13, 2016 · Posted 13 Jul 2016, by William Packer Spending the public’s money is always a serious matter, but it can also be great fun: and, looking back over a career of well over 50 years in the arts, variously as painter, teacher and art critic, I realise that for me the late 1970s and early 1980s were particularly active times in this respect.

Nicholas Charles Williams - Wikipedia

    https://en.wikipedia.org/wiki/Nicholas_Charles_Williams
    William Packer, art critic: “Nicholas Charles Williams is one of British Art’s well-kept secrets.. even so his reputations is growing fast as both one of the most accomplished figurative artist of his generation, and one of the most unusual.

Josephine Trotter — Artists' Collecting Society

    https://artistscollectingsociety.org/members/josephine-trotter/
    William Packer, art critic for the Financial Times since 1974. Trotter is an artist who has a powerful feeling for the material she uses: oil paint, in all its glorious physicality. She says “I get so excited about paint, its quality & application.

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