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Female artists in the renaissance – Smarthistory

    https://smarthistory.org/female-artists-renaissance/
    Nelli’s obscurity was the cumulative effect of historical gender imbalances that limited women in the Renaissance and modern art worlds. While the past cannot be changed, gender balance in contemporary scholarship and curatorial practice is bringing women Renaissance artists to light. The Renaissance glass ceiling: then and now

Women Artists of the Renaissance era Tutt'Art@ Pittura ...

    https://www.tuttartpitturasculturapoesiamusica.com/2021/02/Women-Artists-of-the-Renaissance.html
    Renaissance Europe was not a promising place for female artists to emerge. Women were expected to marry and have children, and those who did work were not welcomed into male-dominated professions. In fact women were unable to even receive formal art training (a cornerstone of …

The Only Woman in the Renaissance’s Most Famous ... - …

    https://www.artsy.net/article/artsy-editorial-woman-renaissances-famous-record-art-history
    Sep 15, 2018 · Sparse details are known about de’ Rossi. She spent most of her approximately 40-year life (1490–1530) in Bologna, where there was a concentration of Renaissance women artists. She probably began her career sculpting fruit pits out of necessity—traditional sculpture materials could be …

Women Painters during the Italian Renaissance Artnet …

    https://news.artnet.com/market/women-painters-during-the-italian-renaissance-35656
    Oct 07, 2013 · One of the earliest-known female artists of the Renaissance was a nun known as Saint Catherine of Bologna, or Caterina de’ Vigri. After her death, her body was exhumed and preserved for display. To this day, Saint Catherine sits on a chair in a chapel in Bologna, surrounded by her creations.Author: Tara Field

Women Artists of the 16th Century: Renaissance/Baroque

    https://www.thoughtco.com/women-artists-of-the-sixteenth-century-3528419
    Aug 07, 2018 · Levina Teerlinc (sometimes referred to as Levina Teerling) painted miniature portraits that were favorites of the English court in the time of the children of Henry VIII. This Flemish-born artist was more successful in her time than Hans Holbein or Nicholas Hilliard, but no works that can be attributed to her with certainty survive.

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