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https://www.metmuseum.org/toah/hd/18wa/hd_18wa.htm
Despite a cap on the number of women admitted to France’s prestigious Académie Royale de Peinture et de Sculpture, and restrictions that barred women from the life drawing classes attended by young men aspiring to paint historical narratives, women ranked among the most sought-after artists in Paris in the 1780s. Three of the Académie’s four female members—Adélaïde Labille-Guiard (1749–1803), Anne Vallayer-Coster (1744–1818), and Élisabeth Louise Vigée Le Brun …Estimated Reading Time: 4 mins
https://nmwa.org/exhibitions/royalists-romantics/
Some of these artists flourished with support of such aristocratic patrons as Marie Antoinette, who not only appointed her favorite female artists Élisabeth Louise Vigée-LeBrun and Anne Vallayer-Coster to court, but advocated their acceptance into the Académie Royale de peinture et de sculpture.Estimated Reading Time: 3 mins
https://en.wikipedia.org/wiki/French_women
After the French Revolution, the number of French women artists sharply declined. It was the monarchy who gave women artists, especially painters, the opportunities to succeed. The Royal Academy was closed down and replaced with an institution that barred the admittance of women. Some female artists close to the monarchy were even executed.Maternal mortality (per 100,000): 8 (2010)
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