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Morimura Yasumasa Japanese artist Britannica

    https://www.britannica.com/biography/Morimura-Yasumasa
    Morimura Yasumasa, (born 1951, Ōsaka, Japan), Japanese artist known for his large-scale self-portraits that were often superimposed on art-historical images or on pictures of iconic individuals. After graduating (1978) from Kyōto City University of Arts, Morimura served as an assistant at the university and devoted himself to painting , drawing, photography , and wood-block art.

Yasumasa Morimura - Wikipedia

    https://en.wikipedia.org/wiki/Yasumasa_Morimura
    Yasumasa Morimura (森村 泰昌, Morimura Yasumasa, born June 11, 1951) is a Japanese appropriation artist. He was born in Osaka and graduated from Kyoto City University of Arts in 1978. Since 1985, Morimura has primarily shown his work in international solo exhibitions, although he has been involved in various group exhibitions.

Yasumasa Morimura - Artist - Saatchi Gallery

    https://www.saatchigallery.com/artist/yasumasa_morimura
    In this series of self-portraits Morimura convincingly slips into the roles of legendary silver screen goddesses, from Audrey Hepburn to Ingrid Bergman (and it doesn’t stop there - he’s also been art …

Yasumasa Morimura Artnet

    http://www.artnet.com/artists/yasumasa-morimura/
    Yasumasa Morimura is a contemporary Japanese appropriation artist whose work consists of inserting his face and body into portraits of artists and celebrities from history. Similar to American photographer Cindy Sherman, Morimura uses extensive props and digital manipulation to create his images, resulting in often-uncanny recreations of iconic works.Nationality: Japanese

Yasumasa Morimura - 138 Artworks, Bio & Shows on Artsy

    https://www.artsy.net/artist/yasumasa-morimura
    Since the early 1980s, Yasumasa Morimura has been embedding himself into iconic images appropriated from art history, mass media, and popular culture, producing photographs that simultaneously celebrate, satirize, and explore their enduring influence and the stories they convey. Humorously encapsulating his approach, he claims that by reconstructing historically resonant …Nationality: Japanese

Yasumasa Morimura - Visual Arts - 2015

    https://emmavisualart.weebly.com/yasumasa-morimura.html
    Yasumasa Morimura, born in 1951 (age 63) in Osaka, Japan, began taking art classes at the Kyoto City University focusing on culture and iconic artworks, graduating in 1978 later moving to America to study further at Columbia University. To start off his career he focused on appropriation of western iconography, which is how he began his art making practices.

Yasumasa Morimura MEM

    https://mem-inc.jp/artists_e/morimura_e/
    Yasumasa Morimura is an artist who becomes someone (or something).

Yasumasa Morimura Daughter of Art History, Theater A ...

    https://www.artsy.net/artwork/yasumasa-morimura-daughter-of-art-history-theater-a
    Since the early 1980s, Yasumasa Morimura has been embedding himself into iconic images appropriated from art history, mass media, and popular culture, producing photographs that simultaneously celebrate, satirize, and explore their enduring influence and the stories they convey. Humorously encapsulating his approach, he claims that by reconstructing historically resonant …

Morimura Yasumasa—Portrait (Futago): Art in Translation ...

    https://www.tandfonline.com/doi/abs/10.2752/175613112X13445019280934
    Apr 28, 2015 · Abstract. Abstract. Works by the Japanese artist Morimura Yasumasa have the potential to make the viewer smile. In the 1988–90 self-portrait, Portrait (Futago [Twins]), which appropriates Manet’s Olympia (1863), Morimura is disguised as a Western female prostitute, thereby reversing the relationship of looking versus being looked at, and overturning racial standards and the premise of …

Postmodernism - Art Gallery NSW

    https://www.artgallery.nsw.gov.au/education/learning-resources/education-kits/photography/postmodernism/
    Likewise, Yasumasa Morimura performs in his photographs as well-known historical or artistic personages. His careful restaging of famous images creates a new form of authenticity in parallel with the 'original’ work of art.

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