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https://publicdelivery.org/zhang-xiaogang-bloodline/
Zhang Xiaogang – Bloodline Series – Big Family No. 3, 1995, oil on canvas, 179 x 229 cm / 70½ by 90⅛ in. Speaking about the high demand for his work, Zhang told the South China Morning Post: “I tried doing other things after 1998, but the exhibition demand for the series left me little time.
https://www.pacegallery.com/journal/artists-respond-zhang-xiaogang/
Zhang Xiaogang: A Statement from My Quarantine. For our Artists Respond series, Zhang Xiaogang writes about his thoughts during this period of isolation. Below is a recent essay by the artist, in which he questions how and if social context affects his practice and well-being. For an artist, …
https://artsandculture.google.com/entity/zhang-xiaogang/m0chn1c
Zhang Xiaogang is a contemporary Chinese symbolist and surrealist painter. Paintings in his Bloodline series are predominantly monochromatic, stylized portraits of Chinese people, usually with...
https://en.wikipedia.org/wiki/%E5%BC%A0%E6%99%93%E5%88%9A
Zhang Xiaogang is a contemporary Chinese symbolist and surrealist painter. Paintings in his Bloodline series are predominantly monochromatic, stylized portraits of Chinese people, usually with large, dark-pupiled eyes, posed in a stiff manner deliberately reminiscent of family portraits from the 1950s and 1960s. Recently, he also created sculptures, translating for the first time into three dimensions many characters of the sort seen in his "Bloodlines—Big Family" portrait …
https://www.saatchigallery.com/artist/zhang_xiaogang
179 x 229 cm. Inspired by family photos from the Cultural Revolution period, as well as the European tradition of surrealism, Zhang Xiaogang’s paintings engage with the notion of identity within the Chinese culture of collectivism. Basing his work around the concept of ‘family’ –immediate, extended, and societal – Xiaogang’s portraits depict an endless genealogy of imagined forebears and progenitors, …
https://u.osu.edu/mclc/2020/05/21/zhang-xiaogangs-response-to-the-pandemic/
May 21, 2020 · Zhang Xiaogang, born in China in 1958, grew up during the Cultural Revolution and was among the first generation of artists to emerge from the newly reopened art schools after the death of Mao. He is today revered in China, and recognized internationally as one of China’s leading artists.
https://www.contemporary-art.org/Zhang-Xiaogang-Artist-1667/
In 2004, Hong Kong Arts Center held an art exhibition entitled “Umbilical Cord of History: Paintings by Zhang Xiaogang”. In 2005, “Zhang Xiaogang 2005” was held at the Max Protetch Gallery in New York. In 2006, “Home –Zhang Xiaogang” was held at the Beijing Commune in Beijing.
https://www.artsy.net/artist/zhang-xiaogang
Relying on memory to recreate a highly personal version of his country’s history, Zhang Xiaogang makes art that is as much about himself as it is about China’s past. The grim imaginary families in his “Bloodlines: The Big Family” paintings of the 1990s and his 2005–06 series of grisaille portraits in oil reveal countless narratives about the aspirations and failures of the Cultural Revolution as well as …
https://www.christies.com/en/lot/lot-5444006
In the monumental canvas, Bloodline: Big Family - Father and Son from 2001 (Lot 1021), we can see how, as Zhang expanded his series, the core myths became even more refined, his approach to the genre of portraiture at once more mysterious and deeply conceived, with Zhang revealing powerful statements on the nature of fate and history, simultaneously asserting an utterly unique view of painting, portraiture, …
https://www.sothebys.com/en/articles/bloodline-big-family-no-2-from-zhang-xiaogangs-era-defining-series
May 15, 2020 · C reated in 1993, Zhang Xiaogang’s Bloodline – Big Family: No. 2 is the second of the two earliest and most important works from the artist’s seminal and era-defining Bloodline – Big Family series. With the first work residing in the Tokushima Modern Art Museum, Japan, the present painting is the only nascent masterpiece from the series in private hands – a tremendously rare and …
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